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2000 Level Film, Video, and New Media Course
Descriptions
FVNM 2000
Media Practices: The Moving Image
This seminar is designed to introduce the student to the language of
the moving image, its history and the ways in which artists have used
moving images in this century. The course will explore the idea of radical
content and experimental form by establishing the normative models and
procedures of cinema and video, and then showing the ways artists have
challenged these conventions. The course will define and differentiate
the two dominant forms of moving image: film and video, and begin a
consideration of new and expanding forms for the moving image. The course
is a prerequisite to both Film I and Video I, and intends to introduce
the student to the moving image through a series of group exercises.
FVNM 2002
Basic Video: Production I
This course introduces video as a medium for artistic expression and
social inquiry. Students gain an understanding of the video image-making
process and develop proficiency with video equipment, including portable
and studio production and editing systems. Strategies for the use of
video as an art-making tool are explored. Works by video artists are
viewed and discussed.
FVNM 2005
Film I: Introduction to Production I
This introductory course focuses on motion picture production and on
how production is related to the history, aesthetics, and theory of
the medium. Super-8 and 16mm production is explored, with an introduction
to lenses, stocks, lighting, light meters, and editing. Techniques are
demonstrated with reference to films screened in class. Requirements
include in-class production assignments, film exercises done outside
of class, and a final individual film.
FVNM 2010
Film II: Intermediate Production II
This intermediate level production course stresses 16mm production.
The Bolex and associated equipment are explored within a context defined
by the history, aesthetics, and theory of film. Advanced use of the
light meter is covered, as well as lighting, sound recording, sound
transfer, sound editing, special aspects of lenses, special application
stocks, lab use, and conforming original footage. These topics are demonstrated
in connection with examples from films screened in class. Requirements
include in-class production assignments, film exercises done outside
of class, and a final individual film. Prerequisite: FVNM 2005.
FVNM 2410
Drawing for Animation
This course studies motion and gesture. Students draw from a moving
model, from three-dimensional objects, and from other materials. The
emphasis is on capturing gestures and basic movements in sequence. Drawings
are periodically filmed on the animation stand so students can see time
relationships in addition to sequential relationships. The course may
be taken for drawing credit.
FVNM 2420
Animation I
This course focuses on the techniques of drawing for the animated film
and is an introduction to other techniques such as cut-outs, rotoscope,
painted glass, and stop-action animation. Considerations include line
quality, mass, how to plot out movements, and most importantly, how
to maintain the integrity of each cell as a good drawing. Each student
completes a short animated film which is filmed section by section.
Each week includes a drawing critique as well as independent and commercial
animation screenings.
FVNM 2425
Animation II
This course is designed for students who have already taken an animation
course and wish to continue working with animation as one of their main
mediums. This course covers extensive camera work, cell animation, script
writing, and sound, and most importantly, turns up the critical knob
quite a bit. Work begins day one on individual projects, and students
are expected to make substantial progress each week and participate
in class discussions. Prerequisite: FVNM 2420 or FVNM 3420.
FVNM 2805
Digital Media Production I
This course emphasizes a dynamic, inter-disciplinary approach to the
creation of video and interactive media work. Students produce projects
which incorporate manipulated still images, animation, desktop video,
audio, and interactive media. Class screenings and discussions will
investigate the issues surrounding digital media as an emergent form
and its relationship to established art practice and society in general.
Prerequisite: FVNM 3002.


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