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Art History
Faculty |
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Art
History Course Descriptions |
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Art
History Dept. Web Pages: |
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List
of MA Students |
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Advice
for Incoming Students |
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Researching
Art History on the Web |
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see also MFA
& Post-Bacc Art History, Theory, and Criticism Department |
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Take
a virtual tour of the School |
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RECENT ART HISTORY
THESIS TITLES |
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Three
Glimpses of Narcissism through the Lens of Sartre’s
Saint Genet
Troubling External Interiors: Gregor Schneider’s Haus
Ur
Aubrey Beardsley: An Autobiographical Study
The Gendered Body as Raw Material for Women Artists of Central
Eastern Europe in the Post-Communist Decade
Seven South Dearborn: Biography of a Design
From Idealism to Cynicism: Frank Kozik and the Transformation
of Psychedelic Poster Art
Judith Handmaid: The Ambiguous Role of the Laundress in French
Painting
The Films and Videos of Richard Serra, 1968-1979
News Media Critique by Three Contemporary American Artists
Toward No Laocoön: Forum 49 Allies and the Arts
Modern Wonders: The Cabinet of Curiosity and the Work of Mark
Dion, Damien Hirst, and Tom Friedman
Asserting the Vamp: From Bollywood to Quebec
Inside/Outside: Cultural Feminist Performance Art and the
Genius Paradigm
Innerspace: The Interior Photographs of Andreas Gursky and
Candida
The Marginal (Un)conscious: Balkan Art from the 1990’s |
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Master of Arts in Modern Art History, Theory, and Criticism (MAAH)
Office: 112 South Michigan Avenue, 6th floor
312.345-3788 / 312.345-3786
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The School of the Art Institute of Chicago has long been distinguished
by its extensive and innovative curriculum in modern art history. The
Master of Arts in Modern Art History, Theory, and Criticism program
draws on the institution’s setting in Chicago, with its wealth
of historic architecture, public sculpture, numerous museums, and active
gallery scene — including many alternative spaces and performance
venues, libraries, and cultural facilities. All of this is in addition
to the resources of the Art Institute of Chicago, one of the world’s
great museums.
This master’s program is the most extensive of its kind in a professional
art school in this country. It was introduced in the mid–1980s
to provide concentrated study in the visual arts of the nineteenth and
twentieth centuries in a multicultural and interdisciplinary context.
The curriculum allows for an expansive and diverse view of historical,
theoretical, and critical issues relating to the fine arts and popular
culture of the modern era. The variety of courses offered is exceptional
and includes traditional chronological or period art history courses;
the history of most media taught at the School, from printmaking to
performance; courses organized by theme (e.g., Narrative Art, Concepts
of Realism, Art and Politics, Myth and Symbol in Asian art, Terrorism:
a Media History, The Road Movie in American Cinema, and Lust and Aggression
in Contemporary Art); courses in theory and criticism of art (e.g.,
theories of perception, Marxism and art, feminism and film, and poststructuralist
criticism); and practicum courses (e.g., curatorial practice and art
historical research and writing).
Diversity in teaching styles and formats — such as team–taught
courses, frequent lectures by visiting artists and scholars, and foreign
study trips — is encouraged. The degree prepares graduates for
doctoral work or careers in research, writing, and curating in museums,
art centers, and galleries; graduates have also found positions with
archives and journals. Application for admission to the Master of Arts
in Modern Art History, Theory, and Criticism program is open to students
with a BA, BS, or BFA degree from an accredited institution. Each applicant
must have 18 previous credit hours of art history courses: 12 of those
credit hours must be completed prior to application to the program,
while the remaining six hours can be completed in addition to the required
courses at the School once the candidate has been accepted to the program.
A reading knowledge of any foreign language necessary for research is
expected.
See admissions
and services for further details.
Facilities and resources include:
300,000 art slides in the MacLean Visual Resource Center; The Gene Siskel
Film Center of the Art Institute; Video Data Bank; the Artists’
Book Collection of the School’s Flaxman Library; access to the
Art Institute museum’s Ryerson and Burnham Libraries: 216,000
volumes, 2,225 periodical series, 65,000 exhibition catalogs, Percier
and Fontaine Collection of seventeenth– and nineteenth–century
architectural books, Mary Reynolds Collection of Dada and Surrealism,
Ernest Hamil Collection of Russian art books, George F. Collins Archive
of Catalan Art and Architecture.
Master of Arts in Modern Art History, Theory,
and Criticism Curriculum Requirements
| Area |
Credit Hours |
History of Art History or
History of Art Criticism |
3 |
Current Writing in Art History or
Current Writing in Art Criticism |
3 |
| 19th- and 20th-century art history courses (3000-6000 level*) |
18 |
| Art history graduate seminars |
6 |
| Thesis I |
3 |
| Thesis II |
3 |
| Completion of the thesis |
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| Total Credit Hours |
36 |
* May include up to 6 hours of graduate academic cognate courses, subject
to approval of program director.
1. Of the elective courses and seminars, one elective must be nineteenth
century and one early twentieth century.
2. The program requires 36 credit hours; courses are subject to approval
by the art history graduate program director.
3. Students have a maximum of five years to complete the degree (this
includes time off for leaves-of-absence).
4. A minimum of 30 credit hours must be completed in residence at the
School. Up to 6 transfer credits may be requested at the time of application
for admission and are subject to approval at that time. No
transfer credit will be permitted after a student is admitted.
5. Full-Time Status Minimum Requirement: 9 credit hours.
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