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Collection Updates

The Art Institute is a dynamic organization—expanding its collection, improving gallery spaces, and lending works to institutions around the globe. To ensure that your visit meets your expectations, please check the updates below.

The museum continually acquires new works by gift or by purchase that expand the stories that we tell in our galleries.

Venus and Cupid

John Deare's Venus and Cupid (1789)

Gallery 127A

This newly acquired work, arguably the finest surviving drawing by Deare, is a highly finished study for a relief sculpture that is now lost. Deare's technique is characterized by strong line, minimal shading, a frieze-like arrangement of figures, and the application of finely hatched pen lines.

Helmet Mask (Lipiko)

Diteka's Helmet Mask (Lipiko), possibly early/mid-20th century

Gallery 137

This recent acquisition is a superb example of a well-known genre of helmet mask of the Makonde people. It is characterized by the realistic imitation of incised angular facial scarification marks, carved renderings of chipped teeth, and insertion of real human hair in asymmetrical patterns on the mask’s skull.

Hero Construction

Richard Hunt’s Hero Construction (1958)

Gallery 200A

A graduate of the School of the Art Institute of Chicago, Richard Hunt created Hero Construction out of found objects discovered in junkyards and on the street. The modest but impressive stance of the figure recalls both ancient statues and contemporary monuments.

Saint Jerome in Penitence

Master of the Lille Adoration's Saint Jerome in Penitence (1525/30)

Gallery 207

This depiction of Saint Jerome, hailing from the Flemish city and trade center of Antwerp, shows him as both a scholar and a penitent. The exaggerated angle of his head, the gesture of his open hand, the thin application of paint, and the nervous contours all belong to the Master of the Lille Adoration’s signature style.

Untitled (lungs)

Rodney McMillian’s Untitled (lungs) (2008–13)

Gallery 293

McMillian’s lungs combines painting and sculpture, organic and inorganic form, and enormity and delicacy to create these lush yet ominous objects. The inherent juxtaposition of the work manifests current political and social tensions through their insistent physicality.


Yoko Ono’s MENDED PETAL (2016)

Pritzker Garden

This sculpture represents the 13th petal from Yoko Ono’s installation SKYLANDING, a 12-petal lotus in Chicago’s Jackson Park that rises from the ashes of the Phoenix Pavilion. In contrast to the smooth petals of SKYLANDING, MENDED PETAL has visible seams of repair, symbolically commemorating the ground-healing ceremony held by the artist in June 2015 through which she prepared the site of the lost Phoenix Pavilion for her new work.

Statuette of a Horse

Statuette of a Horse (750/730 B.C.), Greece

Gallery 151

The Greek people’s worship of the Olympian deities included the ritual dedication of gifts (votives) at sacred sites. These offerings took a variety of forms, but statuettes of horses had special significance as symbols of affluence. This bronze sculpture is one of the finest such votive statuettes to survive from antiquity.

Sebastiano del Piombo’s Christ Carrying the Cross

Sebastiano del Piombo’s Christ Carrying the Cross (1515/1517)

Gallery 205

Sebastiano’s depiction of Christ carrying the cross has dramatic visual impact in the expressions of the figures, in the diagonals lines created by the cross, and the luminous background. This work is a significant addition to the museum’s holdings of central Italian paintings.

Altar set

Altar set (1644–1911), Qing dynasty, China

Gallery 134

The five vessels in this set would have been the focus of either Buddhist or Confucian spiritual ceremonies. Each vessel is painted with the Eight Buddhist Emblems over a lime green background—a color perhaps inspired by enameled metalwork introduced to China from Europe.

Dish with Floral and Fruit Sprays

Dish with Floral and Fruit Sprays (1488–1505), Ming dynasty, China

Gallery 134

Yellow and underglaze-blue dishes of this type are among the most treasured Ming dynasty porcelains in China; they are particularly rare, making this example, covered in traditional motifs, an exquisite acquisition for the Art Institute.

Gorham Manufacturing Company’s Tureen

Gorham Manufacturing Company’s Tureen (1883)

Gallery 175

Gorham was the first major American silver company to introduce Japanese-inspired designs to their product line, with this particular vessel featuring interpretations of Asian motifs, likely drawn from print sources: giant carp and a turtle thrash in violent waters, suggesting the movement of the sea.

Periodically we need to close galleries for art rotation or space renovation as we work to improve the visitor experience.

Beginning August 6, Galleries 271–73 of American art will be closed in preparation for Hairy Who? 1966–1969, opening September 26.

As the home to countless treasures across time and space, we regularly lend works of art to other museums around the world.

Andy Warhol's Mao, 1973
Through October 018

Paul Cézanne's Madame Cézanne in a Yellow Chair, 1888/90
Through October 2018

Ellsworth Kelly's Tableau Vert, 1952
Through October 2018

Francis Bacon's Figure with Meat, 1954
Through November 2018 

Thomas Cole's Distant View of Niagara Falls, 1830
Through November 2018

Claude Monet's Étretat: The Beach and the Falaise d'Amont, 1885
Through November 2018 

Georgia O'Keeffe's Abiquiu Sand Hills and Mesa, 1945
Through November 2018

Perugino (Pietro di Cristoforo Vannucci)'s The Baptism of Christ, 1500/05; Christ and the Woman of Samaria, 1500/05; The Nativity, 1500/05; and Noli Me Tangere, 1500/05
Through November 2018 

Pierre-Auguste Renoir's Jean Renoir Sewing, 1899/1900
Through November 2018

Claude Monet's Houses of Parliament, London, 1900/01
Through December 2018

Francois Boucher's Art They Thinking about the Grape?, 1747
Through December 2018 

Alson Skinner Clark's The Coffee House, winter 1905/6
Through January 2019

Beauford Delaney's Self-Portrait1944
Through January 2019

Arthur Wesley Dow's Boats at Rest, about 1895
Through January 2019

Marsden Hartley's The Last of New England—The Beginning of New Mexico, 1918/19
Through January 2019

Edward Hopper's Nighthawks, 1942
Through January 2019

George Hitchcock's Flower Girl in Holland, 1887
Through January 2019

Fernand Lungren's The Café1882/84
Through January 2019

Franz Marc's The Bewitched Mill, 1913
Through January 2019

Archibald John Motley Jr.'s Self-Portrait, about 1920
Through January 2019

Georgia O'Keeffe's Cow's Skull with Calico Roses, 1931
Through January 2019

Georgia O'Keeffe's Red Hills with Flowers1937
Through January 2019

Frederic Remington's The Advance-Guard, or The Military Sacrifice (The Ambush), 1890
Through January 2019

Harold Sohlberg's Fisherman's Cottage, 1906
Through January 2019

Tintoretto (Jacopo Robusti)'s Tarquin and Lucretia, about 1578/80
Through January 2019

James McNeill Whistler's Nocturne: Blue and Gold—Southampton Water, 1872
Through January 2019

Tsugouhara Foujita's Portrait of Emily Crane Chadbourne, 1922
Through March 2019

Henry Fuseli's Milton Dictating to His Daughter, 1794
Through March 2019

Édouard Manet's Boy with Pitcher (La Régalade), about 1862/72
Through March 2019

Pablo Picasso's Daniel-Henry Kahnweiler, autumn 1910
Through March 2019

Georgia O'Keeffe's Blue and Green Music, 1919/21
Through April 2019

Claude Monet, Waterloo Bridge, Gray Weather, 1900
Through May 2019

Charles White's Harvest Talk, 1953; and This, My Brother, 1942
Through July 2019

Andy Warhol's Flowers, 1964; Self-Portrait, 1964; Self-Portrait, 1966; and Big Electric Chair, 1967–68
Through October 2019

Berthe Morisot's Woman at Her Toilette, 1875/80
Through November 2019 

If there is a particular artwork you're hoping to see on your visit, please check our online collection to make sure it is currently on view.