Between 1667 and 1789 the French monarchy sponsored periodic exhibitions of works by members of the Académie royale de peinture et de sculpture.
Printed catalogs for these Salons, called livrets, were first issued in 1673. Beginning in 1791 the Salon was sponsored by varying government bodies. The Académie royale was replaced by the École des beaux-arts in 1795 and the Salon was opened to all artists. During the course of the nineteenth century the Salon became an annual event and was designated the exposition officielle from the 1866 catalog. In the later 19th and into the 20th century, various different bodies organized regular exhibitions, also called salons.
Download the Paris Salon Guide to the Libraries' holdings of these catalogs.
21 hours 17 min ago The Art Institute of Chicago “One day, I had a dream… there were three black boots in the middle of the road, with very high houses."
These are the words of Tarsila do Amaral, one of the leaders behind Anthropophagy, a national art movement that arose in 1920s Brazil with the goal of “cannibalizing” aspects of European modern art in order to make a new, more distinctly indigenous style. #5WomenArtists
Explore Tarsila’s work in depth when Tarsila do Amaral: Reinventing Modern Art in Brazil opens at the Art Institute this October.
Image: Tarsila do Amaral. City (The Street), 1929. Collection of Bolsa de Arte.
23 hours 17 min ago The Art Institute of Chicago NOW ON VIEW—Who Builds Your Architecture?
Whether majestic skyscrapers, eye-catching museums, or sprawling residential complexes, buildings emerge from intricate, lengthy processes of design and construction that involve a host of different actors. The New York–based group Who Builds Your Architecture? (WBYA?), who gives the show its name, presents research related to migrant workers and the global construction industry.
1 day 18 hours ago The Art Institute of Chicago Saints & Heroes brings the spiritual, domestic, and chivalric worlds of the Middle Ages and Renaissance to life in the 21st century.