Bruce Goff (1904–1982) was one of the most inventive and iconoclastic architects of the twentieth century. Born in Kansas, he spent most of his life practicing in Oklahoma, Chicago, and Texas. In addition to his pursuit of “design for the continuous present” through architecture, Goff was also an artist and in the 1930s, a composer of modern piano compositions.
Apart from his own innate creativity, Goff found inspiration for his work from a variety of sources, including the architecture of Louis Sullivan, Frank Lloyd Wright, Antoni Gaudí, Erich Mendelsohn, modern European fine arts and music, and the arts of Japan and Southeast Asia.
In a career that spanned more than six decades, Goff saw almost a hundred and fifty of his architectural designs—of a total oeuvre of more than five hundred—built in fifteen states. While the majority of his projects were private residences, commercial and civic buildings appeared throughout in both large and small-scale commissions. In each of these designs, Goff's sensitivity to client, site, space, and material set him apart from the mainstream.
Goff also profoundly influenced a younger generation of architects through his teaching at the University of Oklahoma, apprenticeships, and lectures and is regarded as one of the masters of organic architecture in the United States. In 1995, The Art Institute of Chicago mounted a major retrospective exhibition of his work, with an accompanying catalog, The Architecture of Bruce Goff, 1904-1982: Design for the Continuous Present.
In 1990, The Art Institute of Chicago received Goff's comprehensive archive through the Shin'enKan Foundation, Inc. and Goff's executor, Joe Price. Additional donations have been received from various sources. Because of the vast scope of the archive, its contents were subsequently divided according to material type between several departments at the Art Institute, as described below.
Bruce Goff Archive - Ryerson & Burnham Libraries
132.5 linear feet.
Holdings consist of Goff's entire professional papers, along with many personal items: business and personal correspondence, project files, photographs and slides, published and unpublished lectures and articles, business and personal financial papers, personal collections of shells and rocks, player-piano rolls composed and cut by Goff, and audio and video recordings of interviews, lectures, and documentaries.
Bruce Goff Collection - Department of Architecture & Design
Approx. 8,000 drawings and 400 paintings.
Holdings consist of architectural and design drawings—including preliminary design sketches, presentation renderings, and working drawings—and painted compositions by Goff and various students and apprentices.
18 hours 23 min ago The Art Institute of Chicago CLOSING SOON—Invisible Man: Gordon Parks and Ralph Ellison in Harlem
Two major figures in American art and literature aim to make the black experience visible in postwar America.
Closing August 28—http://bit.ly/2aQrnYd
22 hours 51 min ago The Art Institute of Chicago It is believed Van Dyck never intended for the early stages of his etchings to be circulated and was surprised by their immediate popularity in the art market. Finding success at a time when artists didn’t usually show works in progress, these “unfinished” prints helped set the stage for the more recent popularity of works that reveal the creative process. See the prints that altered conventions in Van Dyck, Rembrandt, and the Portrait Print—closing August 7.
1 day 17 hours ago The Art Institute of Chicago #TBT 1983: The museum held an exhibition for the collection of Jalane and Richard Davidson, Chicago collectors of contemporary American realist drawings. Acknowledged at the time for collecting against prevailing art world trends, they amassed a comprehensive collection of work spanning the careers of both well-known artists—like Jack Beal, pictured here with Jalane herself and a portrait he made of her—and lesser-known Midwestern artists. The entire Davidson collection was bequeathed to the museum and saw another exhibition devoted to it in 1999.