Bruce Goff (1904–1982) was one of the most inventive and iconoclastic architects of the twentieth century. Born in Kansas, he spent most of his life practicing in Oklahoma, Chicago, and Texas. In addition to his pursuit of “design for the continuous present” through architecture, Goff was also an artist and in the 1930s, a composer of modern piano compositions.
Apart from his own innate creativity, Goff found inspiration for his work from a variety of sources, including the architecture of Louis Sullivan, Frank Lloyd Wright, Antoni Gaudí, Erich Mendelsohn, modern European fine arts and music, and the arts of Japan and Southeast Asia.
In a career that spanned more than six decades, Goff saw almost a hundred and fifty of his architectural designs—of a total oeuvre of more than five hundred—built in fifteen states. While the majority of his projects were private residences, commercial and civic buildings appeared throughout in both large and small-scale commissions. In each of these designs, Goff's sensitivity to client, site, space, and material set him apart from the mainstream.
Goff also profoundly influenced a younger generation of architects through his teaching at the University of Oklahoma, apprenticeships, and lectures and is regarded as one of the masters of organic architecture in the United States. In 1995, The Art Institute of Chicago mounted a major retrospective exhibition of his work, with an accompanying catalog, The Architecture of Bruce Goff, 1904-1982: Design for the Continuous Present.
In 1990, The Art Institute of Chicago received Goff's comprehensive archive through the Shin'enKan Foundation, Inc. and Goff's executor, Joe Price. Additional donations have been received from various sources. Because of the vast scope of the archive, its contents were subsequently divided according to material type between several departments at the Art Institute, as described below.
Bruce Goff Archive - Ryerson & Burnham Libraries
132.5 linear feet.
Holdings consist of Goff's entire professional papers, along with many personal items: business and personal correspondence, project files, photographs and slides, published and unpublished lectures and articles, business and personal financial papers, personal collections of shells and rocks, player-piano rolls composed and cut by Goff, and audio and video recordings of interviews, lectures, and documentaries.
Bruce Goff Collection - Department of Architecture & Design
Approx. 8,000 drawings and 400 paintings.
Holdings consist of architectural and design drawings—including preliminary design sketches, presentation renderings, and working drawings—and painted compositions by Goff and various students and apprentices.
1 day 12 hours ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
2 days 6 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
2 days 11 hours ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx