Marc Goldstein was born March 1, 1935, in New York City and earned both his bachelor's and master's degrees in architecture at Yale University. After studying in Italy under Bruno Zevi, he joined the San Francisco office of Skidmore, Owings and Merrill in 1961, working on many notable buildings including the Bank of America Headquarters; the Beckman Conference Center of the National Academies, Irvine, CA; and the Arya Mehr Sports Complex in Tehran, Iran. He also worked on several planning projects, including California Tomorrow and the San Antonio River Corridor Study. Mr. Goldstein received the American Institute of Architects San Francisco Special Achievement Award for Outstanding Contribution to the Profession, 2003. He is a Fellow of the American Institute of Architects. After retiring as partner from SOM in 1991, Mr. Goldstein taught several years at the California College of Arts and Crafts. He continues to live in the San Francisco area.
Goldstein speaks about the influence of his professor Louis Kahn; joining the San Francisco office of Skidmore, Owings & Merrill (SOM); Bank of America headquarters and other SOM projects primarily on the West Coast; the importance of the California Tomorrow Plan; SOM colleagues and office environment; teaching at the California College of Arts and Crafts after retirement; and his family.
345 California Center; San Francisco, California; 1985 Photo by Jane Lidz
Bank of America World Headquarters; San Francisco, California; 1969 Photo by Roger Sturtevant
"I think that architecture is time consuming…architecture is extremely intensive…It does consume an enormous amount of energy, and rightfully so. I think that it's something you can get passionate about. And one wonderful thing about architects is that they do tend to be passionate people- not about money, you know, but about what they're doing. It's lovely. It's a great profession." (p. 23)
"...in the final analysis, I think of myself more as a craftsman than as a poet. I would like to have been a poet, but I don't know that I really ever achieved that. I think I was a good craftsman, and that I knew how to put together rather well-working buildings, which were reasonable pleasing to the eye, pleasing to be in, and that's what my career was all about." (p. 234)
Beckman Conference Center; Irvine California; 1988 Photo by Paul Bielenberg Copyright, Paul Bielenberg
Mauna Kea Beach Hotel; Kamuela Bay, Hawaii; 1965 Photo by R. Wenkam
Funding for this oral history was provided by Skidmore, Owings & Merrill, LLP.
3 hours 8 min ago The Art Institute of Chicago THURSDAY at 6:00—Join us for a tour of works in our collection presented in American Sign Language with voice interpretation.
23 hours 56 min ago The Art Institute of Chicago NOW OPEN—Humanism + Dynamite = The Soviet Photomontages of Aleksandr Zhitomirsky
The first exhibition in the post-Soviet world devoted to leading political artist Aleksandr Zhitomirsky offers a captivating portrayal of a satirist and loyal citizen who inventively furthered his country’s official causes across a tumultuous half-century.
1 day 1 hour ago The Art Institute of Chicago CLOSING SOON—Icelandic artist/musician Ragnar Kjartansson’s intensely durational works often manifest a rare synthesis of pathos and humor.
A Lot of Sorrow is both a music video and extended concert film, in which The National performs its ballad “Sorrow” on repeat for six hours. See the song take on new layers of meaning as the hours pass and fatigue sets in.
Closing October 16—http://bit.ly/2du3GXh