John Donald Cordwell was born in 1920 in London, England. He studied architecture there at the Regent Street Polytechnic School of Architecture from 1936 until 1939. His education was interrupted by military service in the Royal Air Force from 1940 to 1945. He returned to study at the Architectural Association (1945-46) and the School of Planning and Regional Research (1947). Cordwell's work experience began in the London office of Sir Herbert Baker (1936-40), followed by jobs with Sir Howard Robertson (1945-47) and in the office of Maxwell Fry and Jane Drew (1947-50). He immigrated to the United States and settled in Chicago in 1951. In that year Cordwell took a job with PACE Associates, but soon left that position to direct the activities of the Chicago Plan Commission (1952-56). In 1957 he formed a partnership with Louis Solomon, now known as Solomon Cordwell Buenz and Associates. He retired from that firm in 1988 to practice independently. He held honors as an Associate of the Royal Institute of British Architects and an Associate of the Town Planning Institute and was elected to the College of Fellows of the American Institute of Architects in 1970. Cordwell died in Chicago in 1999.
Cordwell speaks about his early years; the pre-war years in London; study at the Regent Street Polytechnic School of Architecture and the Architectural Association; problems of class distinction; the office of Maxwell Fry and Jane Drew; immigrating to the United States; PACE Association; the Central Area Plan for Chicago; Fort Dearborn project; McCormick Place; Louis R. Solomon; building Sandburg Village; working with Arthur Rubloff; Presidential Towers.
Sandburg Village; Chicago, 1960-1975. Photo by John Zukowsky.
"Well, architecture in itself, to me, wasn't enough. It wasn't a total understanding of the whole society, and planning gave me that background. It gave me the background of the environment and what had to be done. That was terribly important to me, to understand more than the building, but also the grounds on which the building stood and the environment in which the building was to be placed....One building is not enough. You've got to create the whole ambience that the building is in: the society of the people that are going to live in these buildings and how they lived, who they are and how you are going to improve their lives. I want to leave the place a better place than I found it. I think that's the biggest thing, to make life just a little better than I found it, and I'm trying to do that." (p. 282)
16 hours 19 min ago The Art Institute of Chicago #TBT A view of George F. Harding’s “castle museum,” built in 1927.
The prominent businessman and politician had already amassed a sprawling collection of artworks, arms, and armor when he built an annex to his home on Chicago’s South Side. The Gothic Revival stone turret—complete with cannonballs embedded in the exterior walls—also included a dungeon and secret passages. Following Harding's death in 1939, the “castle” became a public museum for two decades until it was demolished during an urban renewal project. The collection was eventually brought to the Art Institute, fulfilling Harding’s intention to offer his stunning collection of art, arms, and armor to the people of Chicago.
See Harding's collection like never before in Saints & Heroes: Art of Medieval and Renaissance Europe.
18 hours 54 min ago The Art Institute of Chicago CLOSING SUNDAY—Rodney McMillian: a great society
Grappling with the complexities of class, race, and place in America, Rodney McMillian employs elements of performance, public speaking, oral history—and his interest in the science fiction genre—to expose the social and psychological consequences of economic inequality and endemic racism. While his work engages the often stark realities of history and contemporary culture, it is motivated by the potential for alternative realities and future transformation.
21 hours 41 min ago The Art Institute of Chicago "These galleries will make even the saint-averse stop and take notice."
via Chicago Tribune