[PAR] = Partially processed; may be available for patron use upon the consent of the Archivist.
[U] = Unprocessed and unavailable for patron use.
Historic Architecture and Landscape Image Collection, c.1865-1973 (bulk 1890-1930).
Approximately 11,000 images [P]
Consisting of approximately 11,000 images that document the architecture, landscape and urban planning of sites across the United States—with a particular emphasis on Chicago and its suburbs—and, to a lesser extent, internationally, The Historic Architecture and Landscape Image collection, or HALIC, contains mounted photographic prints, lantern slides (both black and white and hand-colored), and postcards dating from the 1860s to the 1970s.
These materials supplement, extend, and support the architectural groupings described above, with particular focus on the work of the first Chicago School, the Prairie School, and Beaux-Arts urban planning activities inspired by Daniel Burnham and Edward Bennett. This collection will be added to on a periodic basis.
Of particular note is a large body of lantern slides that was gathered by the Chicago Plan Commission, representing the international influences of Chicago's urban planning ideals during the 1910s and 1920s.
HALIC also contains a significant number of pre-Civil War, vernacular, and anonymous buildings, as well as images from many of the expositions and world's fairs that took place around the turn of the 20th-century, most notably the World's Columbian Exposition (1893), and the Century of Progress Exhibition (1933-1934), both in Chicago.
The mounted photographs come from many sources, but most were taken by professional architectural photographers. Included are large groups of photographs by the Chicago Aerial Photography Company (active c.1920-1940), the Detroit Photographic Company/Detroit Publishing Company (active 1898-1924), Henry Fuermann and Sons (Frank Lloyd Wright's preferred photographers), Albert Levy (active 1890s), and J.W. Taylor (active 1885-1910).
The lantern slides represent the work of numerous photographers and slide-makers, including George W. Bond and Company, Chicago Transparency Company, Curtis and Miller, the Detroit Photographic Company/Detroit Publishing Company, the Historic American Buildings Survey, Frances Benjamin Johnston, Alvina Lenke Studios, T.H. McAllister, A.G. McGregor, L. Manasse, Grace Nichols, Underwood and Underwood, and Edward Van Altena.
Approximately 700 images that document the architecture, landscape and urban planning of sites across the United States—with a particular emphasis on Chicago and its suburbs—and, to a lesser extent, internationally. HALIC Modern complements the original HALIC collection by focusing on works designed and constructed after World War II. This collection will be added to on a regular basis.
2 hours 8 min ago The Art Institute of Chicago #regram @lmpicard's mind-bending Modern Wing photo
Stop by and celebrate the return of our Modern masters after their seven-month absence, featuring all your favorites by #Picasso, #Matisse, and more, as well as masterpieces never before exhibited in the #ModernWing. Now on view!
6 hours 2 min ago The Art Institute of Chicago This enigmatic painting was voted most popular at the Carnegie International exhibition in 1950. Though it resists easy interpretation, Peter Blume's The Rock suggests a parable of destruction and reconstruction that probably resonated with many viewers following the widespread destruction of World War II.
If Peter Blume's The Rock is one of your favorite American works of art, share it with the country by voting for it to be displayed on billboards nationwide. #ArtEverywhereUS