[PAR] = Partially processed; may be available for patron use upon the consent of the Archivist.
[U] = Unprocessed and unavailable for patron use.
Historic Architecture and Landscape Image Collection, c.1865-1973 (bulk 1890-1930).
Approximately 11,000 images [P]
Consisting of approximately 11,000 images that document the architecture, landscape and urban planning of sites across the United States—with a particular emphasis on Chicago and its suburbs—and, to a lesser extent, internationally, The Historic Architecture and Landscape Image collection, or HALIC, contains mounted photographic prints, lantern slides (both black and white and hand-colored), and postcards dating from the 1860s to the 1970s.
These materials supplement, extend, and support the architectural groupings described above, with particular focus on the work of the first Chicago School, the Prairie School, and Beaux-Arts urban planning activities inspired by Daniel Burnham and Edward Bennett. This collection will be added to on a periodic basis.
Of particular note is a large body of lantern slides that was gathered by the Chicago Plan Commission, representing the international influences of Chicago's urban planning ideals during the 1910s and 1920s.
HALIC also contains a significant number of pre-Civil War, vernacular, and anonymous buildings, as well as images from many of the expositions and world's fairs that took place around the turn of the 20th-century, most notably the World's Columbian Exposition (1893), and the Century of Progress Exhibition (1933-1934), both in Chicago.
The mounted photographs come from many sources, but most were taken by professional architectural photographers. Included are large groups of photographs by the Chicago Aerial Photography Company (active c.1920-1940), the Detroit Photographic Company/Detroit Publishing Company (active 1898-1924), Henry Fuermann and Sons (Frank Lloyd Wright's preferred photographers), Albert Levy (active 1890s), and J.W. Taylor (active 1885-1910).
The lantern slides represent the work of numerous photographers and slide-makers, including George W. Bond and Company, Chicago Transparency Company, Curtis and Miller, the Detroit Photographic Company/Detroit Publishing Company, the Historic American Buildings Survey, Frances Benjamin Johnston, Alvina Lenke Studios, T.H. McAllister, A.G. McGregor, L. Manasse, Grace Nichols, Underwood and Underwood, and Edward Van Altena.
Approximately 700 images that document the architecture, landscape and urban planning of sites across the United States—with a particular emphasis on Chicago and its suburbs—and, to a lesser extent, internationally. HALIC Modern complements the original HALIC collection by focusing on works designed and constructed after World War II. This collection will be added to on a regular basis.
1 hour 10 min ago The Art Institute of Chicago TOMORROW at 4:00—See the world premiere of “The Electric Stage” by performance collective Manual Cinema.
Manual Cinema uses vintage overhead projectors, multiple screens, puppets, actors, live camera feeds, sound design, and a live music ensemble to create immersive visual stories on stage and screen.
3 hours 55 min ago The Art Institute of Chicago A Sunday on La Grande Jatte has been among the museum’s most beloved paintings since it first entered the collection in 1926. ARTicle celebrates the birthday of Georges Seurat, with some fun facts about this pointillist masterpiece.
20 hours 33 min ago The Art Institute of Chicago #TBT Ladies strike a pose in Blackstone Hall, 1909.
Demolished in 1958, the enormous two-story gallery once spanned the area between where the Asian art and Prints and Drawings galleries are today and housed over 150 plaster cast sculptures, many replicas of Greek and Roman art received as gifts from the French government.