The Ryerson & Burnham Archives collect artists' and architects' papers that complement and extend the permanent collections of the museum's curatorial departments. The collections contain a wide range of media, including correspondence, published and unpublished writings, scrapbooks, architectural drawings and prints, business papers, photographs, slides, audio recordings, films, video, and ephemera.
The Archives also collect the papers of artists and designers. Of particular note are the archives of such figures as Ivan Albright, Irving Penn, and Richard Ten Eyck, each of whom played a key role in recent exhibitions organized by The Art Institute of Chicago.
Other significant collections include materials gathered by noted researchers such as André Mellerio, friend and biographer of artist Odilon Redon; William B. Fagg, an expert in West African art and architecture; and George Collins, scholar of Catalan art and architecture.
The Ryerson & Burnham Digital Collections consists of various searchable image and text collections. These collections include only limited selections from our archive, and represent a relatively small portion of our total holdings; the majority of our collections are not digitized (a list of digitized collections is available here). Our digital collections include:
1. Electronic surrogates of selected original archival materials from Ryerson & Burnham archival collections. Such materials may include photographs, slides, architectural drawings and prints, correspondence, printed papers and other materials.
For example, a keyword search across all collections for "Daniel Burnham" will retrieve portraits of Burnham, archival images of buildings designed by the architect, some correspondence to Burnham, a list of the years in which Burnham participated in the Chicago Architectural Sketch Club competitions, mentions of Burnham from several oral histories, as well as descriptions of Burnham-related archival holdings from all collections.
Given the breadth of collections in this digital archive, you may wish to limit your searches to either image or text collections.
For image rights and reproductions of works of art from the museum's curatorial collections, you MUST review the information on this page and contact Art Resource accordingly. The Ryerson and Burnham Archives does not manage such requests and cannot provide information or guidance regarding any such inquiries.
For information regarding any of the following topics, please contact the Ryerson and Burnham Libraries' Reference Desk at firstname.lastname@example.org:
For information regarding the art, architecture and design archival collections we manage (listed here), or for general questions on architecture in Chicago and the midwest, please contact us using the following information:
8 hours 16 min ago The Art Institute of Chicago #TBT A view of George F. Harding’s “castle museum,” built in 1927.
The prominent businessman and politician had already amassed a sprawling collection of artworks, arms, and armor when he built an annex to his home on Chicago’s South Side. The Gothic Revival stone turret—complete with cannonballs embedded in the exterior walls—also included a dungeon and secret passages. Following Harding's death in 1939, the “castle” became a public museum for two decades until it was demolished during an urban renewal project. The collection was eventually brought to the Art Institute, fulfilling Harding’s intention to offer his stunning collection of art, arms, and armor to the people of Chicago.
See Harding's collection like never before in Saints & Heroes: Art of Medieval and Renaissance Europe.
10 hours 51 min ago The Art Institute of Chicago CLOSING SUNDAY—Rodney McMillian: a great society
Grappling with the complexities of class, race, and place in America, Rodney McMillian employs elements of performance, public speaking, oral history—and his interest in the science fiction genre—to expose the social and psychological consequences of economic inequality and endemic racism. While his work engages the often stark realities of history and contemporary culture, it is motivated by the potential for alternative realities and future transformation.
13 hours 38 min ago The Art Institute of Chicago "These galleries will make even the saint-averse stop and take notice."
via Chicago Tribune