The Ryerson & Burnham Archives collect artists' and architects' papers that complement and extend the permanent collections of the museum's curatorial departments. The collections contain a wide range of media, including correspondence, published and unpublished writings, scrapbooks, architectural drawings and prints, business papers, photographs, slides, audio recordings, films, video, and ephemera.
The Archives also collect the papers of artists and designers. Of particular note are the archives of such figures as Ivan Albright, Irving Penn, and Richard Ten Eyck, each of whom played a key role in recent exhibitions organized by The Art Institute of Chicago.
Other significant collections include materials gathered by noted researchers such as André Mellerio, friend and biographer of artist Odilon Redon; William B. Fagg, an expert in West African art and architecture; and George Collins, scholar of Catalan art and architecture.
The Ryerson & Burnham Digital Collections consists of various searchable image and text collections. These collections include only limited selections from our archive, and represent a relatively small portion of our total holdings; the majority of our collections are not digitized (a list of digitized collections is available here). Our digital collections include:
1. Electronic surrogates of selected original archival materials from Ryerson & Burnham archival collections. Such materials may include photographs, slides, architectural drawings and prints, correspondence, printed papers and other materials.
For example, a keyword search across all collections for "Daniel Burnham" will retrieve portraits of Burnham, archival images of buildings designed by the architect, some correspondence to Burnham, a list of the years in which Burnham participated in the Chicago Architectural Sketch Club competitions, mentions of Burnham from several oral histories, as well as descriptions of Burnham-related archival holdings from all collections.
Given the breadth of collections in this digital archive, you may wish to limit your searches to either image or text collections.
For image rights and reproductions of works of art from the museum's curatorial collections, you MUST review the information on this page and contact Art Resource accordingly. The Ryerson and Burnham Archives does not manage such requests and cannot provide information or guidance regarding any such inquiries.
For information regarding any of the following topics, please contact the Ryerson and Burnham Libraries' Reference Desk at email@example.com:
For information regarding the art, architecture and design archival collections we manage (listed here), or for general questions on architecture in Chicago and the midwest, please contact us using the following information:
15 hours 5 min ago The Art Institute of Chicago NOW ON VIEW—In 1963 Melvin Edwards began Lynch Fragments, a series of welded steel assemblages made in response to the tumultuous social climate of the Civil Rights movement. The title of the series evokes the horrifying images of racist mob violence, yet Edwards’s works distill the subject into a powerful sculptural language, fusing modernist abstraction with a sense of personal and collective history.
Afrophoenix No. 1—one of the earliest objects from the series—exemplifies how the artist physically transformed found objects and brought them together in poetically suggestive, tension-filled compositions. Here the formal arrangement of steel elements evokes an equestrian bridle and bit. Chains, hammers, nails, spikes, and screws magnify the sculpture’s associative power, recalling implements of labor and torture. At the same the title references the mythological phoenix—alluding to death, rebirth, and transformation.
See Afrophoenix No. 1 (1963) by Melvin Edwards in Gallery 289D.
19 hours 31 min ago The Art Institute of Chicago CLOSING SOON—Modern Velvet: A Sense of Luxury in the Age of Industry
With their plush, inviting, and varied textures, the velvets featured in this exhibition showcase the diversity of modern velvet as well as the effects of industry on its production. As industrial innovations at the turn of the 19th century allowed for faster production and encouraged the use of less costly materials, designers and manufacturers of velvet sought to maintain its association with wealth, luxury, and splendor.
Learn how this elegant fabric has inspired designers for centuries, with a wide range of examples from the 19th century to present day—closing March 19.
1 day 6 hours ago The Art Institute of Chicago Just like the museum's collection comes from artists around the world, so does the Museum Shop’s assortment of products. We source exclusive products from artisans that are inspired by the cultures, mediums, and techniques represented in our museum collection. View our assortment of unique items from India.