A leading practitioner of conceptual art, Mel Bochner (born 1940) was one of the first artists to introduce language into the visual field in the 1960s. Despite their significance, these contributions remain unexplored in art-historical scholarship. Mel Bochner: Language 1966–2006 includes over sixty works in a wide range of media and brings together for the first time an overview of the artist’s language-based works from the past forty years. Highlights include the landmark piece Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art (1966), which art historian Benjamin Buchloh called “the first conceptual art installation.” Also featured are Bochner’s series of magazine interventions published between 1966 and 1968; a number of early word portraits of Bochner’s contemporaries (including artists Dan Flavin, Eva Hesse, and Donald Judd); and new photography of Bochner’s seminal installations Theory of Boundaries (1970) and Axiom of Indifference (1973), which the artist re-created at the Art Institute of Chicago in 2006.
Long preoccupied by language and its influence on vision and perception, Bochner has shifted recently from a more analytical approach to an exploration of the ways in which color diverts a text from its duty to convey meaning. Recent works reproduced here include If the Color Changes (1997–98), You Can Call It That If You Like (2004), and several of Bochner’s vibrant paintings of synonyms drawn from Roget's Thesaurus, many published here for the first time. This compelling book includes an essay by art historian Johanna Burton that analyzes this important body of work and examines Bochner’s definition and use of language throughout his career as well as an insightful conversation between the artist and noted scholar James Meyer.
The Art Institute of Chicago/Yale University Press, 2007 9 ½ x 9 ½ in.; 160 pages; 136 color illustrations ISBN: 978-0-300-12144-5
11 hours 18 min ago The Art Institute of Chicago Chicago Splash previews Moholy-Nagy: Future Present, a retrospective on the Bauhaus designer who also made his mark in Chicago—opening at the Art Institute October 2.
13 hours 40 min ago The Art Institute of Chicago CLOSING SUNDAY—Design Episodes: The Modern Chair
Explore the evolution of the modern chair in the 20th century with iconic examples from makers like Charles and Ray Eames, Le Corbusier and Charlotte Perriand, and Harry Bertoia, among others.
THE MODERN CHAIR—http://bit.ly/2dD4Xy0
1 day 9 hours ago The Art Institute of Chicago CLOSING SOON—Supernatural Shakespeare
While Shakespeare’s title characters might have the most name recognition, the Bard’s meddling witches and mischievous faerie folk often steal the show. See this focused installation before it closes October 10.