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Kathleen Curtis Wilson, Virginia Foundation for the Humanities, delivered the lecture "Irish Linen for Kings and Clergy, Peasant, and Paupers" in support of the exhibition Ireland: Crossroads of Art and Design, 1690–1840. Check out the video below if you missed it—or if you want to see it again!
2 hours 44 min ago The Art Institute of Chicago COMING SOON—Whistler’s Mother: An American Icon Returns to Chicago
Painted in 1871, the portrait better known today as “Whistler’s Mother” was intended to demonstrate the artist’s recent focus on tonal harmonies over subject matter. It came to be lauded as an icon beloved by Americans but rarely seen in the United States.
Explore Whistler’s use of family members as subjects, his abstract treatment of conventional genres such as portraiture and landscape, and the art of his professional ambition, in this focused installation of approximately 25 objects.
OPENING MARCH 4—http://bit.ly/2l3ZCze
22 hours 10 min ago The Art Institute of Chicago NOW ON VIEW—In 1963 Melvin Edwards began Lynch Fragments, a series of welded steel assemblages made in response to the tumultuous social climate of the Civil Rights movement. The title of the series evokes the horrifying images of racist mob violence, yet Edwards’s works distill the subject into a powerful sculptural language, fusing modernist abstraction with a sense of personal and collective history.
Afrophoenix No. 1—one of the earliest objects from the series—exemplifies how the artist physically transformed found objects and brought them together in poetically suggestive, tension-filled compositions. Here the formal arrangement of steel elements evokes an equestrian bridle and bit. Chains, hammers, nails, spikes, and screws magnify the sculpture’s associative power, recalling implements of labor and torture. At the same time the title references the mythological phoenix—alluding to death, rebirth, and transformation.
See Afrophoenix No. 1 (1963) by Melvin Edwards in Gallery 289D.
1 day 2 hours ago The Art Institute of Chicago CLOSING SOON—Modern Velvet: A Sense of Luxury in the Age of Industry
With their plush, inviting, and varied textures, the velvets featured in this exhibition showcase the diversity of modern velvet as well as the effects of industry on its production. As industrial innovations at the turn of the 19th century allowed for faster production and encouraged the use of less costly materials, designers and manufacturers of velvet sought to maintain its association with wealth, luxury, and splendor.
Learn how this elegant fabric has inspired designers for centuries, with a wide range of examples from the 19th century to present day—closing March 19.