Membership in the Photography Associates helps to support the collection and activities of the Department of Photography at the Art Institute through the funding of acquisitions, the presentation of programs that foster understanding of photography, and the encouragement of private collecting.
Associates enjoy private dinners three times yearly—twice in the company of a prominent artist or scholar and once at the home of a notable collector in the Chicago area. Photography Associates members also receive invitations to at least one special exhibition opening.
The Photography Associates season runs from October to May.
$1,000 individual membership admits one to all events
$1,500 dual membership admits two to all events
$2,500 platinum membership admits two to all events, plus invitations to join photography curators in additional activities at the museum, galleries, artists’ studios, and locations outside of Chicago
For detailed membership information, please contact the Department of Photography at (312) 443-3663 or send us an e-mail.
Tina Barney Uta Barth Walead Beshty William Clift Gregory Crewdson Keith Davis Rineke Dijkstra Joan Fontcuberta Lee Friedlander Emmet Gowin Sarah Greenough David Hockney Yasuhiro Ishimoto Mark Klett Sally Mann Susan Meiselas Annette Messager Paul Messier Ray K. Metzker Sheila Metzner Joel Meyerowitz Duane Michals Richard Misrach Abelardo Morell Vik Muniz Nicholas Nixon Martin Parr Gilles Peress Fazal Sheikh Taryn Simon Raghubir Singh Alec Soth Joel Sternfeld John Szarkowski Bill Turnage Anne Tucker Diana Walker Artur Walther William Wegman James Welling Charis Wilson Joel-Peter Witkin Sylvia Wolf
14 hours 30 min ago The Art Institute of Chicago #tbt Memorial Day parade outside the Art Institute, 1947. Or perhaps they are just celebrating because they heard we were named the number one museum in the world!
17 hours 29 min ago The Art Institute of Chicago NOW OPEN—Sarah Charlesworth: Stills presents the artist’s harrowing series—never before shown in its entirety—of people jumping or falling from buildings. Taking news photographs and enlarging them to life-size proportions, Charlesworth forces the viewer to recognize the humanity of these figures at their most dire moment.