In his quest for a modern aesthetic, the 20th-century artist Pablo Picasso looked to the art of the ancient Mediterranean.
Though he never traveled to Greece, he studied Greek antiquities at the Louvre, including Cycladic sculptures and Greek vases painted in the black-figure technique. Picasso was also a frequent visitor to France’s Mediterranean coast, where he spent time in Antibes and Ménerbes, cities that were founded as Greek trading posts in the 5th century B.C. and where Roman ruins, including two aqueducts, still remained. Picasso himself noted, “Whenever I arrive in Antibes . . . antiquity takes hold of me again.” Mythological characters such as fauns, satyrs, and centaurs appeared in works throughout his career. For Picasso, there was a fruitful relationship between the Classical world and his own era. The playfulness and exuberance displayed by satyrs and fauns became poignant symbols in Picasso’s personal iconography.
In antiquity, the faun was associated with Pan, the Greek god of shepherds and flocks who wandered the countryside playing his panpipe and chasing nymphs. By the Roman era, the frolicking fauns had become conflated with satyrs, from whom they gained goat-like features such as horns and a tail. Satyrs were half-man, half-goat creatures that represented the animal side of human nature. They were said to be lustful and violent, which often resulted in unbridled and base behavior driven by their insatiable appetites for food, sex, and wine. Thus satyrs became a popular subject for ceramic vessels used for serving wine at Greek banquets. The nearby case includes five vessels that feature satyrs engaged in various shenanigans. These images would have entertained banquet guests as they noticed the mischievous details on their wine cups.
1 day 15 hours ago The Art Institute of Chicago Seven facts you probably didn't know about Edward Hopper’s New York Movie.
Now on view in the exhibition America after the Fall: Painting in the 1930s.
2 days 11 hours ago The Art Institute of Chicago TOMORROW—A few tickets are left for our sixth annual Night Heist benefit, the event of the year for young art-loving Chicagoans!
Dress in your best 1930s-inspired cocktail attire and enjoy an evening of live music, drinks from local celebrity mixologists, amazing raffle prizes, and more. An exclusive VIP reception and dinner is also available before the evening gets started.
2 days 13 hours ago The Art Institute of Chicago #TBT 1933: Two impeccably dressed visitors attending Chicago’s 100th birthday party “A Century of Progress,” the Chicago World’s Fair celebrating the city’s centennial.
Come check out the new exhibition America after the Fall to learn about the rocky time in our country’s history that was the 1930s.