In the Chinese zodiac system, certain animals have long been associated with particular years in the twelve-year cycle. At least as far back as the third century B.C., people believed that the attributes of these animals could be seen in those born in each year, defining one’s character and having an affect on one’s future. These beliefs continue to be strong today throughout Asia. The horse is associated with strength, energy, intelligence, communication, and popularity, but also impatience and stubbornness.
This exhibition showcases some of the more common portrayals of horses in Japanese and Chinese art from the 6th to the 18th centuries in which these attributes can be seen. Essential in battle, and therefore integral to securing and maintaining power, the horse was often represented in sculpture in China. Fine breeds featured as minqi or funerary objects, representations of prized possessions meant to accompany the deceased into the afterlife and offer protection. Horses were also immortalized in precious jade, testifying to the affection and respect that people had for them.
In Japan, the horse became one of the most important features of warrior culture. From an early age, boys were taught to ride for contests and ceremonies. Images of spirited horses in stables, painted one per panel, were one of the earliest subjects depicted on multi-panel folding screens. Horses have always had an important place in indigenous Shintô religious beliefs, and by the 15th century, the commissioning and donating of votive paintings to shrines featuring horses (ema) pulling at their tethers became a widespread practice among the warrior class.
Isoda Koryusai. Young samurai on horseback, about 1769/1770. Clarence Buckingham Collection.
1 day 10 hours ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
2 days 4 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
2 days 8 hours ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx