In the Chinese zodiac system, certain animals have long been associated with particular years in the twelve-year cycle. At least as far back as the third century B.C., people believed that the attributes of these animals could be seen in those born in each year, defining one’s character and having an affect on one’s future. These beliefs continue to be strong today throughout Asia. The horse is associated with strength, energy, intelligence, communication, and popularity, but also impatience and stubbornness.
This exhibition showcases some of the more common portrayals of horses in Japanese and Chinese art from the 6th to the 18th centuries in which these attributes can be seen. Essential in battle, and therefore integral to securing and maintaining power, the horse was often represented in sculpture in China. Fine breeds featured as minqi or funerary objects, representations of prized possessions meant to accompany the deceased into the afterlife and offer protection. Horses were also immortalized in precious jade, testifying to the affection and respect that people had for them.
In Japan, the horse became one of the most important features of warrior culture. From an early age, boys were taught to ride for contests and ceremonies. Images of spirited horses in stables, painted one per panel, were one of the earliest subjects depicted on multi-panel folding screens. Horses have always had an important place in indigenous Shintô religious beliefs, and by the 15th century, the commissioning and donating of votive paintings to shrines featuring horses (ema) pulling at their tethers became a widespread practice among the warrior class.
Isoda Koryusai. Young samurai on horseback, about 1769/1770. Clarence Buckingham Collection.
1 day 14 hours ago The Art Institute of Chicago NOW OPEN—Invisible Man: Gordon Parks and Ralph Ellison in Harlem
In this landmark collaboration, two major figures in American art and literature aimed to make the black experience visible in postwar America.
Image: Gordon Parks. Off On My Own, Harlem, New York, 1948. The Gordon Parks Foundation.
5 days 11 hours ago The Art Institute of Chicago #TBT 1960: A visitor to the Art Institute gets a closer look at Naum Gabo’s Linear Construction No. 4.