The most influential and enduring progressive printmaking collective of its time, the Taller de Gráfica Popular (the Popular Graphic Art Workshop or TGP) created some of the most memorable images in mid-century printmaking. This Mexico City–based workshop took up the legacy of the famous Mexican broadside illustrator José Guadalupe Posada, creating prints, posters, and illustrated publications that were popular, affordable, legible, politically topical, and, above all, formally compelling. This exhibition includes over 100 works from the Art Institute’s rich holdings—one of the most significant TGP collections in the United States—demonstrating why this collective boasted such international influence and inspired the establishment of print collectives around the world.
Founded in 1937 by Leopoldo Méndez, Luis Arenal, and American-born Pablo O’Higgins, the TGP emerged and evolved in the crucible of antifascist and leftist politics in Mexico in the period surrounding World War II. This milieu shaped not only the workshop’s dedication to a collective printmaking model but also its production aimed at both “the people” and discerning collectors, a strategy necessitated by the era’s quickly changing political tides. The collective created works for groups spanning the leftist and progressive political spectrum, including the government of Lázaro Cárdenas and his successors, the Mexican Communist Party, major trade unions, and antifascist organizations.
During the TGP’s heyday, from its founding until the 1950s, the workshop produced thousands of prints, primarily linocuts and lithographs, for everything from ephemeral handbills and newspapers to political and advertising posters to luxe portfolios and printed books. Favoring an expressive, realist visual language, its work addressed a wide range of socially engaged themes, including Mexican history and culture, political satires both local and international (including calavera broadsides), rural and urban scenes of daily life, and agitprop prints. The members of the workshop, a core of about 40 during its height, produced both individual and collective works and welcomed numbers of foreign members and guest artists—from Elizabeth Catlett to Josef Albers—to use the workshop in order to collaborate on prints and create individual pieces.
Showcasing the TGP’s prolific and varied output, What May Come is organized into thematic sections such as Chicago connections to the TGP, antifascism, national history, daily life, caricature, and popular visual traditions. A Spanish-English catalogue accompanies the exhibition, which also features bilingual labeling.
Explore TGP further online!
Get an up-close look at the TGP's memorable images as you virtually leaf through the following:
6 hours 54 min ago The Art Institute of Chicago NOW OPEN—Humanism + Dynamite = The Soviet Photomontages of Aleksandr Zhitomirsky
The first exhibition in the post-Soviet world devoted to leading political artist Aleksandr Zhitomirsky offers a captivating portrayal of a satirist and loyal citizen who inventively furthered his country’s official causes across a tumultuous half-century.
8 hours 46 min ago The Art Institute of Chicago CLOSING SOON—Icelandic artist/musician Ragnar Kjartansson’s intensely durational works often manifest a rare synthesis of pathos and humor.
A Lot of Sorrow is both a music video and extended concert film, in which The National performs its ballad “Sorrow” on repeat for six hours. See the song take on new layers of meaning as the hours pass and fatigue sets in.
Closing October 16—http://bit.ly/2du3GXh
3 days 4 hours ago The Art Institute of Chicago Congratulations to the Smithsonian National Museum of African American History and Culture on their grand opening this weekend. The building, designed by architect David Adjaye, is a truly historic addition to the National Mall in Washington D.C. #APeoplesJourney #MakingHistory