Japanese artist Tomoaki Suzuki’s diminutive sculptures put a decidedly contemporary twist on the millennia-long tradition of Japanese woodcarving. Drawing on his life in London, Suzuki creates painstakingly detailed portraits of diverse urban youths at one-third their actual size. The five sculptures on view on the Art Institute’s Bluhm Family Terrace demonstrate a shift in the artist’s practice—they are his first works to be executed in bronze.
Suzuki began his training at Tokyo Zokei University, where he learned the fundamental principles of figurative sculpture. The artist’s work documents consumer culture and the quickly shifting trends driven by ready access to fast fashion and recycled clothing. The expressive ensembles worn by his models provide insight into their character. Largely disinterested in gestural or emotive expression, Suzuki strives to articulate his models’ identities—as he believes they do—through their personal style.
The artist’s process begins with photographs and drawings of each sitter with careful attention to the nuances of pose and dress. He then often casts a plaster maquette of the subject's hands to determine accurate dimensions for the sculpture before beginning the laborious task of transforming a wooden block into a hyperrealistic sculpture. In the case of the works on view at the Art Institute, the wooden sculptures are then cast in bronze, and finally, meticulously painted. Because Suzuki works alone, each sculpture can take up to two to three months to complete with no more than four sculptures produced each year.
The artist maintains that by working in small scale he is able to focus his attention on the figures in a way that would not be possible on a larger scale. Plus, because of their size, the figures physically draw the viewer in and down to their level, and yet in spite of their size, the sculptures have a powerful presence.
This exhibition is organized by the Art Institute of Chicago with major funding from the Bluhm Family Endowment Fund, which supports exhibitions of modern and contemporary sculpture.
18 hours 55 min ago The Art Institute of Chicago “One day, I had a dream… there were three black boots in the middle of the road, with very high houses."
These are the words of Tarsila do Amaral, one of the leaders behind Anthropophagy, a national art movement that arose in 1920s Brazil with the goal of “cannibalizing” aspects of European modern art in order to make a new, more distinctly indigenous style. #5WomenArtists
Explore Tarsila’s work in depth when Tarsila do Amaral: Reinventing Modern Art in Brazil opens at the Art Institute this October.
Image: Tarsila do Amaral. City (The Street), 1929. Collection of Bolsa de Arte.
20 hours 55 min ago The Art Institute of Chicago NOW ON VIEW—Who Builds Your Architecture?
Whether majestic skyscrapers, eye-catching museums, or sprawling residential complexes, buildings emerge from intricate, lengthy processes of design and construction that involve a host of different actors. The New York–based group Who Builds Your Architecture? (WBYA?), who gives the show its name, presents research related to migrant workers and the global construction industry.
1 day 16 hours ago The Art Institute of Chicago Saints & Heroes brings the spiritual, domestic, and chivalric worlds of the Middle Ages and Renaissance to life in the 21st century.