Friday, November 11, 2011–Saturday, January 7, 2012
The tiny but joy-filled rooms are back, trimmed in historic holiday finery! This year, the New Orleans and New Mexico rooms join the festive tradition, and the never-before-seen Americana Room from Marshall Field V’s private collection will also be displayed.
The seven rooms that inaugurated this seasonal offering last year will return with even more liliputian trimmings. Among the most elaborate of the rooms is the English Drawing Room of the Victorian Period, the only room with a Christmas tree. Now a ubiquitous feature of the season, the Christmas tree or tannenbaum, was only brought to England from Germany in 1840 with the marriage of Prince Albert to Queen Victoria. The Thorne Room tree and accoutrements are based on a famous engraving of the royal couple and their children surrounding a trimmed and toy-bedecked tree, an image that would forever popularize this holiday fixture. Other ornamented rooms include the English Great Hall of the Tudor period with a wassailing bowl, yule log, and an essential part of the costuming for that period’s singing-dancing revelers—a mummer’s mask; the Virginia Entrance Hall with mistletoe, wreath, and garland; the French Provincial Bedroom with shoes, or sabots, lined up before the fireplace, a crèche, and puzzle; the modern-era California Hallway with an Otto Natzler mid-century menorah and box with a dreidel; and the traditional Chinese interior set to ring in the Chinese New Year.
Play the new online game—Escape from Thorne Mansion!
Mrs. James Ward Thorne. English Drawing Room of the Victorian Period, 1840–70, c. 1937. Gift of Mrs. James Ward Thorne.
12 hours 23 min ago The Art Institute of Chicago We are thrilled to welcome internationally recognized Chinese art scholar Tao Wang as the Pritzker Chair of the Department of Asian Art and Curator of Chinese Art, as the department aggressively seeks to expand the reach and raise the profile of our Asian collections and programs.
“I am thrilled to join such a storied institution,” said Wang. “This is an exciting time in the field of Asian art, and I look forward to using my knowledge and connections to enhance the Art Institute’s already distinguished collection of Asian art, as well as to promote its research in this area.”