The title characters of William Shakespeare’s plays certainly might get the most name recognition, but the Bard’s meddling witches and mischievous faerie folk often steal the scenes and have rightly become some of his most memorable characters. Part of the Shakespeare 400 Festival, this focused installation features three atmospheric engravings of fantastical Shakespearian scenes by various artists emulating works by the renowned Gothic artist Henry Fuseli (1741–1825). Fuseli himself favored heroic subjects taken from Shakespeare along with other celebrated writers including Dante Alighieri and John Milton. Fuseli’s theatrical paintings hang in the nearby gallery: his macabre Head of a Damned Soul from Dante's "Inferno" (1770/78) and his mystical Milton Dictating to His Daughter (1794) among them.
The selections for the intimate Supernatural Shakespeare presentation copy several paintings Fuseli created for the 1790s Boydell Shakespeare Gallery in London, one of the catalysts for the Romantic revival of Shakespeare in the early 1800s. The Nursery of Shakespeare (1810) depicts the baby Bard already beset by host of phantasmal inspirations. The Witches Appear to Macbeth and Banquo (1798) portrays the three sorceresses getting ready to triple the antihero’s toil and trouble, while Titania and Bottom with Ass’s Head (1796) features the enchanted odd couple carousing in their sylvan bower.
On May 1, these fantastical characters and prints are joined by song as musicians from the Chicago Symphony Orchestra play selections from Felix Mendelssohn’s beloved A Midsummer Night’s Dream in the Art Institute’s Fullerton Hall.
Moses Haughton II, after Henry Fuseli. The Nursery of Shakespeare, 1810. Gift of Chalkley J. Hambleton.
1 day 11 hours ago The Art Institute of Chicago Mary Cassatt was the only American artist to exhibit with the original Impressionist group. This sensitive portrayal of a mother and child reflects the most advanced 19th-century ideas about raising children. Scientists and physicians of the day encouraged mothers (instead of wet nurses and nannies) to care for their children and to include regular bathing in their hygiene practices to prevent disease. #5WomenArtists
See three paintings by Mary Cassatt now on view: http://bit.ly/2nl9Z68
Image: [Now on view in Gallery 273] Mary Cassatt. The Child's Bath, 1893. Robert A. Waller Fund.
1 day 16 hours ago The Art Institute of Chicago APRIL 21—Join us for After Dark in the Modern Wing!
Check out the new exhibition Go with special tours and late-night access. And catch live performances by Monakr and Mano.
Must be 21+. Hosted by The Evening Associates of the Art Institute of Chicago.