Steve McQueen is an internationally acclaimed artist whose work is primarily engaged with moving images. Born in London in 1969, he has, over the last twenty years, made a series of film and video installations designed for gallery-based presentation, along with two feature films made for cinematic release. His efforts in these two distinct, but interrelated, arenas have earned him a reputation as one of the most important and influential artists of his generation working with these media, and beyond. McQueen's earliest works are silent, and mostly black-and-white, often with a focus on the body, very often the artist’s own. Subsequent pieces incorporate, as a general rule, sound and color, and often emerge from more elaborate investigations.
McQueen has been equally concerned with the act of recording moving images as he is with the specific conditions in which these images are presented. The size of the screen, the dimensions of the room, and the relationship between the viewer and the projection itself are all fundamental considerations. McQueen's thinking about formal and spatial relationships in this regard lends a sculptural element to his art. One work in particular, Queen and Country (2007–09), is an entirely sculptural installation with no moving image or sound component. Presented here for the first time outside of the United Kingdom, the work is a memorial to British men and women killed in military service during the most recent war in Iraq.
Most of McQueen's oeuvre—including his gallery-based installations as well as feature films—evidences a potent, at times oblique, political consciousness. Many works address specific social and historical moments in ways that seemingly emerge from documentary or journalistic impulses. Other films are more abstract, their meanings shaped by allegory or metaphor. McQueen always communicates directly to viewers through what one writer termed "the medium of aesthetic affect."
This exhibition is coorganized by the Art Institute of Chicago and Schaulager, Basel, Switzerland.
Lead sponsorship is provided by Donna and Howard Stone. Major funding is provided by the Andy Warhol Foundation for the Visual Arts and Lannan Foundation.
Cosponsorship is provided by Stephanie Skestos Gabriele and James Gabriele, Patty and Mark McGrath, and Barbara Ruben. Additional funding is provided by Judith Neisser, Penelope Steiner, the Consulate General of The Netherlands in New York, and Laurenz Foundation.
Generous annual support is also provided by the Exhibitions Trust: Goldman Sachs, Kenneth and Anne Griffin, Thomas and Margot Pritzker, the Earl and Brenda Shapiro Foundation, the Trott Family Foundation, and the Woman's Board of the Art Institute of Chicago.
1 day 21 hours ago The Art Institute of Chicago We’re pleased to present a free online catalogue to accompany our exhibition Temptation: The Demons of James Ensor, opening this Sunday.
This 168-page digital catalogue allows users to zoom in and examine the work like never before.
2 days 3 hours ago The Art Institute of Chicago OPENING SUNDAY—Temptation: The Demons of James Ensor
Delve into the tortured mind of Belgian artist James Ensor with a major exhibition that is revelatory, disturbing, wildly imaginative, and singularly compelling.
2 days 4 hours ago The Art Institute of Chicago “If the dream is a translation of waking life, waking life is also a translation of the dream.”
Happy birthday to René Magritte.