The first museum exhibition on Japanese photographer Shomei Tomatsu (1930–2012) since his death, anywhere in the world, and his first solo show in the United States in nearly ten years, Island Life is also the first to concentrate on Tomatsu’s long fascination with Japan’s southern islands.
In 1966, when he was just a decade into his career but already a highly influential figure, Tomatsu published a magazine series called The Sea around Us that ran for nearly a year. This sustained look at coastal waters, for which Tomatsu traveled all around his country, was inspired by a book of that title by the American environmentalist Rachel Carson, but also by Americanization itself, which had wrought profound changes in Japan since the bombings and occupation that ended World War II.
In 1969 Tomatsu went to Okinawa, the main island in an archipelago of several hundred islands that stretches across the sea from Japan to Taiwan. Okinawa was then under United States jurisdiction, and few Japanese were permitted entry. Tomatsu eventually moved there for several years, making four books and many more magazine stories on life in the southern or Ryukyu islands. The politically incisive black-and-white photographs he had made in the 1960s—including pictures of American bombers taking off from Okinawa for Vietnam—gave way to seascapes of dazzling color and more everyday scenes. But Tomatsu never stopped making tightly composed and moving photographs, guided by a finely developed sense of light and visual poetry.
52 min 48 sec ago The Art Institute of Chicago This first-century sculpture is truly one of a kind. A child satyr thrusts his hand through the mouth of a mask in a gesture both mischievous and menacing. Though frequently depicted over the centuries, this is the only extant free-standing sculpture depicting the child satyr with mask known in the world today.
See it in Dionysos Unmasked: Ancient Sculpture and Early Prints http://bit.ly/1NSFxXr
2 days 4 hours ago The Art Institute of Chicago CLOSING TOMORROW—Don’t miss Frances Stark: Intimism, a powerful exploration of life in the digital age and the first comprehensive survey of the artist's video and digital work.
Image: Frances Stark. Structures That Fit My Opening (and other parts considered in relation to their whole), 2006. Courtesy Galerie Buchholz, Berlin/Cologne.