Saturday, September 14, 2013–Sunday, January 12, 2014
The first museum exhibition on Japanese photographer Shomei Tomatsu (1930–2012) since his death, anywhere in the world, and his first solo show in the United States in nearly ten years, Island Life is also the first to concentrate on Tomatsu’s long fascination with Japan’s southern islands.
In 1966, when he was just a decade into his career but already a highly influential figure, Tomatsu published a magazine series called The Sea around Us that ran for nearly a year. This sustained look at coastal waters, for which Tomatsu traveled all around his country, was inspired by a book of that title by the American environmentalist Rachel Carson, but also by Americanization itself, which had wrought profound changes in Japan since the bombings and occupation that ended World War II.
In 1969 Tomatsu went to Okinawa, the main island in an archipelago of several hundred islands that stretches across the sea from Japan to Taiwan. Okinawa was then under United States jurisdiction, and few Japanese were permitted entry. Tomatsu eventually moved there for several years, making four books and many more magazine stories on life in the southern or Ryukyu islands. The politically incisive black-and-white photographs he had made in the 1960s—including pictures of American bombers taking off from Okinawa for Vietnam—gave way to seascapes of dazzling color and more everyday scenes. But Tomatsu never stopped making tightly composed and moving photographs, guided by a finely developed sense of light and visual poetry.
6 hours 14 min ago The Art Institute of Chicago #Magritte sculpture finds its footing with the public; set to travel across the city. #unthink
1 day 1 hour ago The Art Institute of Chicago A lucky @lollapalooza contest winner joined Shepard Fairey (@obeygiant) for a special tour of #Magritte. #unthink #lolla
1 day 4 hours ago The Art Institute of Chicago Photographers prepare to capture a masterpiece for our image archives, 1949.
We wouldn’t have so many great #tbt pictures today without all the talented photographers who have worked at the Art Institute over the years.