The first museum exhibition on Japanese photographer Shomei Tomatsu (1930–2012) since his death, anywhere in the world, and his first solo show in the United States in nearly ten years, Island Life is also the first to concentrate on Tomatsu’s long fascination with Japan’s southern islands.
In 1966, when he was just a decade into his career but already a highly influential figure, Tomatsu published a magazine series called The Sea around Us that ran for nearly a year. This sustained look at coastal waters, for which Tomatsu traveled all around his country, was inspired by a book of that title by the American environmentalist Rachel Carson, but also by Americanization itself, which had wrought profound changes in Japan since the bombings and occupation that ended World War II.
In 1969 Tomatsu went to Okinawa, the main island in an archipelago of several hundred islands that stretches across the sea from Japan to Taiwan. Okinawa was then under United States jurisdiction, and few Japanese were permitted entry. Tomatsu eventually moved there for several years, making four books and many more magazine stories on life in the southern or Ryukyu islands. The politically incisive black-and-white photographs he had made in the 1960s—including pictures of American bombers taking off from Okinawa for Vietnam—gave way to seascapes of dazzling color and more everyday scenes. But Tomatsu never stopped making tightly composed and moving photographs, guided by a finely developed sense of light and visual poetry.
3 hours 39 min ago The Art Institute of Chicago NOW OPEN—The Shogun’s World: Japanese Maps from the 18th and 19th Centuries
Now on view in Gallery 107, The Shogun's World showcases the distinct beauty of Japanese mapmaking. These heavily image-based maps occasionally explore spiritual landscapes in addition to physical geography. The importance of spirituality in this tradition is shown in this detail from a mid-19th century map of Yokohama Harbor, where the legend color-codes not only landmarks like Buddhist temples, foreigners’ residences, and stone bridges, but also the locations of spiritually significant trees and rocks.
1 day 3 hours ago The Art Institute of Chicago CLOSING SOON—The Inspired Chinese Brush
Chinese artists of the 16th through 18th century elegantly capture details from nature with a range of visual effects, on view through July 11.