Exhibitions > Sharing Space: Creative Intersections in Architecture and Design
Sharing Space: Creative Intersections in Architecture and Design
April 6, 2013–August 18, 2013
From the powerful effect of color to the rigor of geometry, this exhibition mines the permanent collection of the Department of Architecture and Design to expose common creative concepts and formal strategies across the fields of architecture and design. Including work by architects, urban planners, graphic designers, and industrial designers created from the 1940s to 2012, this broadly thematic organization highlights important recent acquisitions and gems of the collection, presenting visitors with new and unexpected relationships among these various interwoven disciplines. Architects Doug Garofalo and David Leary, for example, used color as a conceptual strategy in the 1991 Camouflage House to simultaneously hide and define the contours of the building within the landscape. Similarly, a glass table designed by Johanna Grawunder in 2010 has radial supports in vivid translucent hues that blur the boundaries of the object when viewed from different angles. While the theory and visual languages underpinning these two objects diverge, this juxtaposition creates a new argument for an underlying relationship stemming from their shared use of color.
Groupings throughout the exhibition, based on similar approaches to geometry and structure among others, invoke fresh readings of well-known works and allow new connections to emerge across a large range of media and varying scales. In this way, the presentation reveals nuanced relationships and deep structural connections that run through this selection of exceptional modern and contemporary works.
Douglas Garofalo and David Leary. Camouflage House, 1991. Gift of Douglas Garofalo.
9 hours 34 min ago The Art Institute of Chicago Artists in 19th-century Paris went crazy for big cats. ARTicle explores the history around this obsession and some of the works now on view in Lion Hunters: Copying Delacroix's Big Cats.
15 hours 13 min ago The Art Institute of Chicago “Painting depends on ink, ink depends on brush, brush depends on wrist, and wrist depends on the heart and mind.” —Tao Chi
The Inspired Chinese Brush is an installation of traditional Chinese ink paintings showcasing the rich variety of textural effects that could be achieved through careful control of the combination of ink and brushes used in their creation. Tang Yin’s painting Drinking at Night portrays the prominent 11th–century Chinese poet, calligrapher, and governmental official Su Shi drinking alone in a pavilion on a moonlit night. The work gets its name from Su Shi’s poem “Drinking on an Evening in Spring,” which is quoted on the scroll following the painting.
See this painting and the rest of the exhibition on view now in Gallery 134.
1 day 7 hours ago The Art Institute of Chicago The Museum Shop’s new fall collection has arrived online! Spend $75 or more by August 31 and receive free standard shipping on your order. Enter promo code FALL75 at checkout.