Exhibitions > Sharing Space: Creative Intersections in Architecture and Design
Sharing Space: Creative Intersections in Architecture and Design
Saturday, April 6, 2013–Sunday, August 18, 2013
From the powerful effect of color to the rigor of geometry, this exhibition mines the permanent collection of the Department of Architecture and Design to expose common creative concepts and formal strategies across the fields of architecture and design. Including work by architects, urban planners, graphic designers, and industrial designers created from the 1940s to 2012, this broadly thematic organization highlights important recent acquisitions and gems of the collection, presenting visitors with new and unexpected relationships among these various interwoven disciplines. Architects Doug Garofalo and David Leary, for example, used color as a conceptual strategy in the 1991 Camouflage House to simultaneously hide and define the contours of the building within the landscape. Similarly, a glass table designed by Johanna Grawunder in 2010 has radial supports in vivid translucent hues that blur the boundaries of the object when viewed from different angles. While the theory and visual languages underpinning these two objects diverge, this juxtaposition creates a new argument for an underlying relationship stemming from their shared use of color.
Groupings throughout the exhibition, based on similar approaches to geometry and structure among others, invoke fresh readings of well-known works and allow new connections to emerge across a large range of media and varying scales. In this way, the presentation reveals nuanced relationships and deep structural connections that run through this selection of exceptional modern and contemporary works.
Douglas Garofalo and David Leary. Camouflage House, 1991. Gift of Douglas Garofalo.
15 hours 48 min ago The Art Institute of Chicago Still a Paris Street, but a brighter day… ARTicle takes a closer look at our conservation team's dramatic transformation of Paris Street; Rainy Day.
1 day 15 hours ago The Art Institute of Chicago Clyfford Still emerged in the 1940s as one of the most radical of the American Abstract Expressionists. Like his peers Mark Rothko and Barnett Newman, Still's canvases presented a sheer wall of paint dominated by monumental expanses of intense color. He considered his grand abstractions to be expressions of his identity and records of his emotional life.
If Clyfford Still's Untitled, 1958 is one of your favorite American works of art, share it with the country by voting for it to be displayed on billboards nationwide. #ArtEverywhereUS