In February 1980, artist Sarah Charlesworth (1947–2013) exhibited a group of seven cropped and greatly enlarged news photographs in the East Village apartment of fledgling dealer Tony Shafrazi. Each pictured a solitary individual jumping or falling from a tall building. With these pieces, Charlesworth married the dry reserve of Conceptual Art to works of high drama. Stills helped to define a movement in American art that remains among the most influential of the last 40 years: the Pictures Generation.
Charlesworth never again exhibited these works as a group, and others she had prepared for enlargement were left unfinished. In 2012 the artist created a single artist proof edition of the complete series of 14 photographs—six of them never before shown—especially for the Art Institute. The 78-inch-tall prints were made chemically from the original negatives with Charlesworth carefully replicating the appearance of that first set. This exhibition of the complete series is the first US museum solo show of Charlesworth’s work in 15 years.
On September 17, artists Laurie Simmons, Sara VanDerBeek, and Liz Deschenes discussed the work of Charlesworth with activist Kate Linker. The exhibition and discussion are part of Photography Is ____________ , a nine-month celebration of photography at the Art Institute that includes pop-up gallery talks, online events, and the presentation of the museum’s most treasured photographs.
Sponsors Lead sponsorship for this exhibition and publication has been generously provided by Liz and Eric Lefkofsky.
Annual support for Art Institute exhibitions is provided by the Exhibitions Trust: Goldman Sachs, Kenneth and Anne Griffin, Thomas and Margot Pritzker, and the Earl and Brenda Shapiro Foundation.
18 hours 37 min ago The Art Institute of Chicago NOW OPEN—Humanism + Dynamite = The Soviet Photomontages of Aleksandr Zhitomirsky
The first exhibition in the post-Soviet world devoted to leading political artist Aleksandr Zhitomirsky offers a captivating portrayal of a satirist and loyal citizen who inventively furthered his country’s official causes across a tumultuous half-century.
20 hours 29 min ago The Art Institute of Chicago CLOSING SOON—Icelandic artist/musician Ragnar Kjartansson’s intensely durational works often manifest a rare synthesis of pathos and humor.
A Lot of Sorrow is both a music video and extended concert film, in which The National performs its ballad “Sorrow” on repeat for six hours. See the song take on new layers of meaning as the hours pass and fatigue sets in.
Closing October 16—http://bit.ly/2du3GXh
3 days 16 hours ago The Art Institute of Chicago Congratulations to the Smithsonian National Museum of African American History and Culture on their grand opening this weekend. The building, designed by architect David Adjaye, is a truly historic addition to the National Mall in Washington D.C. #APeoplesJourney #MakingHistory