In February 1980, artist Sarah Charlesworth (1947–2013) exhibited a group of seven cropped and greatly enlarged news photographs in the East Village apartment of fledgling dealer Tony Shafrazi. Each pictured a solitary individual jumping or falling from a tall building. With these pieces, Charlesworth married the dry reserve of Conceptual Art to works of high drama. Stills helped to define a movement in American art that remains among the most influential of the last 40 years: the Pictures Generation.
Charlesworth never again exhibited these works as a group, and others she had prepared for enlargement were left unfinished. In 2012 the artist created a single artist proof edition of the complete series of 14 photographs—six of them never before shown—especially for the Art Institute. The 78-inch-tall prints were made chemically from the original negatives with Charlesworth carefully replicating the appearance of that first set. This exhibition of the complete series is the first US museum solo show of Charlesworth’s work in 15 years.
On September 17, artists Laurie Simmons, Sara VanDerBeek, and Liz Deschenes discussed the work of Charlesworth with activist Kate Linker. The exhibition and discussion are part of Photography Is ____________ , a nine-month celebration of photography at the Art Institute that includes pop-up gallery talks, online events, and the presentation of the museum’s most treasured photographs.
Sponsors Lead sponsorship for this exhibition and publication has been generously provided by Liz and Eric Lefkofsky.
Annual support for Art Institute exhibitions is provided by the Exhibitions Trust: Goldman Sachs, Kenneth and Anne Griffin, Thomas and Margot Pritzker, and the Earl and Brenda Shapiro Foundation.
1 hour 52 min ago The Art Institute of Chicago CLOSING SOON—John Massey: Cartón de Venezuela
One of Chicago’s great design stories emerged from the Container Corporation of America (CCA) in the middle of the 20th century. Upon his appointment in 1964 as the CCA's head of design, Chicagoan John Massey formed a research arm, the Center for Advanced Research in Design (CARD), that enabled great creativity and innovation within a corporate structure.
This exhibition features a set of posters by Massey for the CCA’s subsidiary Cartón de Venezuela. Each poster represents a different month of the year, with strong, clean lines and bold colors reflecting one of Massey’s primary influences, the Swiss school of design.
Closing March 5—http://bit.ly/2lYlz6I
2 days 2 hours ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
2 days 20 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.