In February 1980, artist Sarah Charlesworth (1947–2013) exhibited a group of seven cropped and greatly enlarged news photographs in the East Village apartment of fledgling dealer Tony Shafrazi. Each pictured a solitary individual jumping or falling from a tall building. With these pieces, Charlesworth married the dry reserve of Conceptual Art to works of high drama. Stills helped to define a movement in American art that remains among the most influential of the last 40 years: the Pictures Generation.
Charlesworth never again exhibited these works as a group, and others she had prepared for enlargement were left unfinished. In 2012 the artist created a single artist proof edition of the complete series of 14 photographs—six of them never before shown—especially for the Art Institute. The 78-inch-tall prints were made chemically from the original negatives with Charlesworth carefully replicating the appearance of that first set. This exhibition of the complete series is the first US museum solo show of Charlesworth’s work in 15 years.
On September 17, artists Laurie Simmons, Sara VanDerBeek, and Liz Deschenes discussed the work of Charlesworth with activist Kate Linker. The exhibition and discussion are part of Photography Is ____________ , a nine-month celebration of photography at the Art Institute that includes pop-up gallery talks, online events, and the presentation of the museum’s most treasured photographs.
Sponsors Lead sponsorship for this exhibition and publication has been generously provided by Liz and Eric Lefkofsky.
Annual support for Art Institute exhibitions is provided by the Exhibitions Trust: Goldman Sachs, Kenneth and Anne Griffin, Thomas and Margot Pritzker, and the Earl and Brenda Shapiro Foundation.
18 hours 55 min ago The Art Institute of Chicago “One day, I had a dream… there were three black boots in the middle of the road, with very high houses."
These are the words of Tarsila do Amaral, one of the leaders behind Anthropophagy, a national art movement that arose in 1920s Brazil with the goal of “cannibalizing” aspects of European modern art in order to make a new, more distinctly indigenous style. #5WomenArtists
Explore Tarsila’s work in depth when Tarsila do Amaral: Reinventing Modern Art in Brazil opens at the Art Institute this October.
Image: Tarsila do Amaral. City (The Street), 1929. Collection of Bolsa de Arte.
20 hours 55 min ago The Art Institute of Chicago NOW ON VIEW—Who Builds Your Architecture?
Whether majestic skyscrapers, eye-catching museums, or sprawling residential complexes, buildings emerge from intricate, lengthy processes of design and construction that involve a host of different actors. The New York–based group Who Builds Your Architecture? (WBYA?), who gives the show its name, presents research related to migrant workers and the global construction industry.
1 day 16 hours ago The Art Institute of Chicago Saints & Heroes brings the spiritual, domestic, and chivalric worlds of the Middle Ages and Renaissance to life in the 21st century.