Rodney McMillian’s work grapples with the complexities of class, race, and place in America across a wide range of media. His video narratives explore events and figures who tend to be omitted from conventional historical accounts. Employing elements of performance, public speaking, and oral history, McMillian exposes the social and psychological consequences of economic inequality, the racism endemic to America’s political and institutional landscape, and the failed promise of freedom and prosperity for all of its citizens. Importantly, he has also spoken of—and in certain works explicitly demonstrated—a personal interest in the genre of science fiction: while his work engages the often stark realities of history and contemporary culture, it is motivated by the potential for alternative realities and future transformation. The three recent acquisitions on view represent the last decade of the artist’s work in video.
In Untitled (The Great Society) I, McMillian not only stages a performance himself reciting President Lyndon B. Johnson’s 1964 commencement speech at the University of Michigan, but also occupies it as a black man. In doing so, he raises questions about how history and politics are themselves consistently—and repeatedly—performed. In A Migration Tale, an unrecognizable (or unnamable) character clad in a silver Ultraman mask and floor-length black cassock travels on foot and via subway. McMillian references the “Great Migration,” during which thousands of African Americans left the rampant racism of the South for the promise of a better life in northern states, makes a condensed version of this northward journey, in the guise of an anonymous, ominous, and absurd character who goes unnoticed by those he encounters. Preacher Man grapples with questions of religion and the fight for racial equality in the United States. Dressed in a traditional black suit and tie and wearing a hat, McMillian sits formally on a chair in an empty field cast in shadow and recites words of the once Chicago-based experimental jazz composer and musician Sun Ra.
Rodney McMillian. Still from Untitled (the Great Society) I, 2006. Contemporary Discretionary Fund.
1 day 11 hours ago The Art Institute of Chicago Mary Cassatt was the only American artist to exhibit with the original Impressionist group. This sensitive portrayal of a mother and child reflects the most advanced 19th-century ideas about raising children. Scientists and physicians of the day encouraged mothers (instead of wet nurses and nannies) to care for their children and to include regular bathing in their hygiene practices to prevent disease. #5WomenArtists
See three paintings by Mary Cassatt now on view: http://bit.ly/2nl9Z68
Image: [Now on view in Gallery 273] Mary Cassatt. The Child's Bath, 1893. Robert A. Waller Fund.
1 day 15 hours ago The Art Institute of Chicago APRIL 21—Join us for After Dark in the Modern Wing!
Check out the new exhibition Go with special tours and late-night access. And catch live performances by Monakr and Mano.
Must be 21+. Hosted by The Evening Associates of the Art Institute of Chicago.