This family exhibition celebrates the 75th anniversary of the Caldecott award by showcasing the magical world of children’s books with an illustration from each of the 16 books that have won the distinguished medal or honor award over the past four years.
The Caldecott Medal, America’s oldest award for picture book illustrations, was first given in 1938, when members of the American Library Association (ALA), who were already honoring children’s book authors with the Newbery Medal, realized that the illustrators of these books were deserving of recognition as well. The ALA members named the new award after Randolph Caldecott, a 19th-century illustrator whose work was unique in his time—not just in its humor but also in its sense of movement, vitality, and action that so perfectly complemented the stories it accompanied. Today’s winners are selected by a team of respected librarians and children’s literature experts who review books throughout a year and award the medal and several honors to the most distinguished American picture book illustrators.
Among the featured works in this special anniversary display are Jon Klassen’s striking illustrations for the darkly humorous This Is Not My Hat, a tale of a tiny fish on the run after stealing a much bigger fish’s hat, as well as his innovative digital designs that weave an infectious vibrancy through Extra Yarn, the story of a little girl knitting colorful knitwear for everyone and everything in her black-and-white town. Peter Brown’s gripping cinematic style in Creepy Carrots! has the suspicious vegetables flipping in delight after stopping their antagonist, while Chris Raschka’s masterful paintings of watercolor, gouache, and ink are all that is needed to tell the tale of a little dog who has lost her most cherished toy in the delightfully wordless A Ball for Daisy.
In these and all of the award-winning paintings, drawings, and prints on display, artists have conjured wondrous worlds on the page, offering a place not only where their characters play, pretend, and dream but where children’s imaginations can soar.
14 hours 52 min ago The Art Institute of Chicago “One day, I had a dream… there were three black boots in the middle of the road, with very high houses."
These are the words of Tarsila do Amaral, one of the leaders behind Anthropophagy, a national art movement that arose in 1920s Brazil with the goal of “cannibalizing” aspects of European modern art in order to make a new, more distinctly indigenous style. #5WomenArtists
Explore Tarsila’s work in depth when Tarsila do Amaral: Reinventing Modern Art in Brazil opens at the Art Institute this October.
Image: Tarsila do Amaral. City (The Street), 1929. Collection of Bolsa de Arte.
16 hours 52 min ago The Art Institute of Chicago NOW ON VIEW—Who Builds Your Architecture?
Whether majestic skyscrapers, eye-catching museums, or sprawling residential complexes, buildings emerge from intricate, lengthy processes of design and construction that involve a host of different actors. The New York–based group Who Builds Your Architecture? (WBYA?), who gives the show its name, presents research related to migrant workers and the global construction industry.
1 day 12 hours ago The Art Institute of Chicago Saints & Heroes brings the spiritual, domestic, and chivalric worlds of the Middle Ages and Renaissance to life in the 21st century.