The diverse work of Pae White engages art, architecture, and design to heighten the experience of site and context. Growing up in the “modernist mecca” of Southern California in the late 1960s and 1970s, White developed a visual vocabulary drawn from a variety of influences that range from consumer culture to “high” art—Eames furniture, Vera Neumann scarves, and Milton Glaser graphics, among them.
Restless Rainbow, a commissioned, site-specific work for the Art Institute of Chicago’s Bluhm Family Terrace, uses this dramatic space not as a platform for objects but as the work itself. In this piece, White drew on her interest in and knowledge of graphic design, textiles, and animation to wrap the terrace in a vibrantly colored, energetic abstracted rainbow. While planning for the installation, the artist wondered: What would happen if a rainbow became disorganized—would it fall from the sky? What if a rainbow misbehaved, causing its color spectrum to take on new order? Would it include black, as rainbows in comic books often do?
From the surface of the floor to the tops of the glass walls, White’s work turns the Bluhm Sculpture Terrace into a completely activated site in and of itself. Restless Rainbow inverts the traditional act of “looking out” from the terrace—at the Chicago skyline, Millennium Park, and the lakefront—and instead invites visitors to enjoy it as an immersive space, brought fully to life through the use of color, line, and texture. White said, “I am not really interested in the blurring of boundaries; it’s really more that there is an art opportunity in all of these things. . . . In many ways it is about finding these hidden zones.” The Bluhm Family Sculpture Terrace is just such a “hidden zone.” Though highly visible, it is recognized more for what it presents than for its own spatial dynamics. Restless Rainbow changes that equation, bringing the space to life through a riot of color and play.
This exhibition is organized by the Art Institute of Chicago with major funding from the Bluhm Family Endowment Fund. The Fund supports exhibitions of modern and contemporary sculpture, which may consist of existing works drawn from the Art Institute’s permanent collection or borrowed from other collections private and public, or new works commissioned specifically for this site. Generous support is provided by the Exhibitions Trust: Goldman Sachs, Kenneth and Anne Griffin, Thomas and Margot Pritzker, the Earl and Brenda Shapiro Foundation, Donna and Howard Stone, Mr. and Mrs. Paul Sullivan, and an anonymous donor.