In Nothing Personal, works by three American artists come together in a show about the passage from personhood to persona.
The 82 photographs that make up The Fae Richards Archive provide a convincing record of a person who never existed. Fae Richards could have been an actress and singer who worked from the 1920s to the 1970s. She was black, gay, and talented, and she achieved success to the degree that circumstances permitted. Zoe Leonard meticulously prepared a mix of publicity shots, film stills, and personal photos to create this fictional archive. She researched historically appropriate photographic papers, and “cast” different printers as well, to guard against a uniform look. The results show happiness tinged with melancholy and ask us to think about what it means to go through life behaving as a credible facsimile.
The 70 black-and-white photographs in Cindy Sherman’s series Untitled Film Stills constitute a major contribution to contemporary art. At 8 × 10 inches, Sherman’s prints look like ordinary film stills: publicity images that stage scenes from a movie for press and other promotional uses. In fact, Sherman did not re-create any specific character or movie. Her one-person show, modeled mainly on European art-house cinema, features a range of postwar genres and female roles that the artist inhabits like a shadow. “The characters weren’t just airhead actresses,” Sherman has said. “The clothes make them seem a certain way, but then you look at their expression and wonder if maybe ‘they’ are not what the clothes are communicating.”
Lorna Simpson’s fifth video work, Corridor, compares two historical periods: the mid-19th and the mid-20th centuries. Two characters, each alone in her domestic world, bring these moments to life, moving in parallel or in tandem through their respective daily routines. One appears to be a household servant or freed slave from around 1860, the other a successful homeowner living one century later—yet both are played by a single person, the artist Wangechi Mutu. The soundtrack, composed by John Davis, similarly contrasts a variety of musical sources, including echoes of “The Battle Hymn of the Republic,” Chopinesque piano, New Orleans dirges, and free jazz. Using sounds instead of words, the two characters—who are and are not the same woman—carry on a dialogue across the divide of time and circumstance.
Generous in-kind support for this exhibition is provided by Tru Vue, Inc. and Gemini Moulding, Inc.
1 hour 16 min ago The Art Institute of Chicago CLOSING SOON—The Inspired Chinese Brush
Chinese artists of the 16th through 18th century elegantly capture details from nature with a range of visual effects, on view through July 11.
22 hours 45 min ago The Art Institute of Chicago Join us for a series of classic films from the 1930s that reflect the social and cultural themes found in our current exhibition America after the Fall: Painting in the 1930s.
1 day 1 hour ago The Art Institute of Chicago “My talent is such that no undertaking, however vast in size... has ever surpassed my courage.” -Peter Paul Rubens
Happy birthday to the Baroque painter Peter Paul Rubens. His talent wasn’t limited to being one of the most celebrated Flemish painters, however; his undertakings also included being a humanist scholar and diplomat, knighted by both Philip IV of Spain and Charles I of England.
See six courageous works by Rubens on view in Gallery 208.