The vast and varied Islamic world—at times stretching from Spain and northern Africa to India and Central Asia—produced an equally dazzling diversity of works of art. For the first time in years, the Art Institute is able to present a more comprehensive picture of this diversity with new galleries devoted to Islamic art, appropriately scaled for larger architectural works that help tell the complex story of Islamic cultural production.
A selection of key objects from different cultures and time periods introduces visitors to the history, religion, and artistic traditions of Islam. From this introduction, the installation proceeds both chronologically and geographically, with displays that contain, for example, early and medieval objects covering the full expanse of the early Islamic world in one section, while another section features the later great empires of Ottoman Turkey, Safavid Iran, and Mughal India. One display focuses on an especially rich area of the collection: art produced under the Mongols in Iran between the mid-13th and mid-14th centuries. Multiple themes are developed across sections, such as Islamic ornament, including the familiar arabesque; the art of the book; and the surprisingly widespread use of figural decoration.
The installation will be continually refreshed with rotating displays of painting, calligraphy, textiles, and carpets, and visitors will be gratified to see an emphasis on architecture and architectural fragments—tile spandrels from Iran, wooden doors and beams from Morocco—that are so characteristic of Islamic art yet are difficult to display. Works of art from the museum’s own holdings are augmented by important pieces on loan from a number of public and private collections, presenting the richest story possible of the amazingly diverse and robust world of Islamic art.
12 hours 53 min ago The Art Institute of Chicago Fullerton Hall
Free to Illinois residents or with museum admission
Brazilian artist and scholar Andreas Valentin recalls his time in New York City with artist Hélio Oiticica and screens a series of short films the two produced in collaboration.
*Museum admission is free for Illinois residents every Thursday, 5:00–8:00—including during this event.
13 hours 17 min ago The Art Institute of Chicago NOW ON VIEW—Rodney McMillian: a great society
a great society represents artist Rodney McMillian's work in video over the last decade. Grappling with the complexities of class, race, and place in America, McMillian employs elements of performance, public speaking, oral history—and his interest in the science fiction genre—to expose the social and psychological consequences of economic inequality, endemic racism, and the failed promise of freedom and prosperity for all of its citizens. While McMillian's work engages the often stark realities of history and contemporary culture, it is motivated by the potential for alternative realities and future transformation.
Closing March 26—http://bit.ly/2l5Ja6e
18 hours 36 sec ago The Art Institute of Chicago CLOSING SOON—John Massey: Cartón de Venezuela
One of Chicago’s great design stories emerged from the Container Corporation of America (CCA) in the middle of the 20th century. Upon his appointment in 1964 as the CCA's head of design, Chicagoan John Massey formed a research arm, the Center for Advanced Research in Design (CARD), that enabled great creativity and innovation within a corporate structure.
This exhibition features a set of posters by Massey for the CCA’s subsidiary Cartón de Venezuela. Each poster represents a different month of the year, with strong, clean lines and bold colors reflecting one of Massey’s primary influences, the Swiss school of design.
Closing March 5—http://bit.ly/2lYlz6I