Max Kozloff is recognized today as one of the most eminent figures in the world of art history and criticism, known for his cogent essays on both historic and contemporary art. He was the art editor for The Nation in the 1960s, moving later to the seminal publication Artforum, where he eventually became the executive editor from 1975 to 1977. While he covered many subjects as an editor and writer, he began seriously exploring photography during his tenure at Artforum, both as a critic and as a photographer. In 1977, he had his first one-person exhibition at the Holly Solomon Gallery in New York City, and two years later, in 1979, he published an anthology of his early essays under the title Photography and Fascination.
This exhibition of over 80 works demonstrates the extent to which his practice as a photographer has been shaped by his work as a critic, and vice versa. In his own photographs, Kozloff often chooses subjects that pay tribute to the photographers who have figured prominently in his writing: shop windows that reference Eugène Atget, for example, or street scenes informed by Henri Cartier-Bresson’s narrative compositions. His life in the New York art world from the 1960s to the present is also a theme of the exhibition, which features a group of intimate portraits of artists such as Leon Golub, Joel Meyerowitz, and Francesca Woodman, all evidence of the relationships he forged during his formidable career. Referencing the connections between his writing and his art practice, the exhibition surveys Kozloff’s ongoing engagement with words and images, presenting his photographs alongside a reading room of his writings and a selection of works from the museum’s permanent collection by some of the many photographers on whom he has written over the decades, from Walker Evans to Richard Avedon. The result is not only a survey of Kozloff’s career as a writer and photographer but also a glimpse into a creative mind at work, equally as informed by history as contemporary times.
7 hours 16 sec ago The Art Institute of Chicago NOW ON VIEW—Commissioned for the 1945 Hollywood movie and based on Oscar Wilde's novel of the same name, Ivan Albright's grotesque painting captures the moral decay of the story's protagonist. The hedonistic Dorian Gray sells his soul in exchange for eternal youth. Ultimately, the corruption of his wicked life is revealed in the disfigurement of his likeness in the portrait.
See Picture of Dorian Gray in Gallery 262.
9 hours 33 min ago The Art Institute of Chicago NOW OPEN—Our newly renovated restrooms are sure to wow and impress even the most seasoned user of restrooms. Check out their bright and modern new look on your next visit to the Photography galleries near the Thorne Miniature Rooms; you’ll see once and for all why the Art Institute is the #1 (and #2) museum in the world.
14 hours 45 min ago The Art Institute of Chicago Enjoy a sampling of napkins from our collection with this tongue-in-cheek overview by tastemaker Matt Maldre (Spudart).