Exhibitions > Material Translations: Japanese Fashion from the School of the Art Institute of Chicago
Material Translations: Japanese Fashion from the School of the Art Institute of Chicago
November 3, 2012–April 7, 2013
In the 1980s, Japanese designers carried out a momentous redefinition of dress with exciting runway presentations that expressed new philosophical and artistic points of view. In a nod to these groundbreaking explorations and to celebrate the 25th year of the School of the Art Institute’s Fashion Resource Center (FRC), the FRC and the Department of Asian Art at the Art Institute showcase garments that took the fashion world by storm and brought Japanese designers to the fore.
Presented in the museum’s dramatic Ando Gallery, this exhibition provides examples of the most innovative designs from the 1980s through the 2000s. One is a radical concept by Rei Kawakubo, her 1983 sack dress that characterizes the aesthetic of poverty—concealing, not revealing the female form in muted color. In another garment, Kawakubo befittingly and humorously embodies the meaning of her design label Comme des Garçons (literally translated as "like some boys') with her adaptation of a ballet dancer's nylon and polyester skirt laced with heavy cowhide. The companion jacket, whose pattern was developed from the fabrication of a baseball mitt, likewise contrasts feminine and masculine. Also included are recently acquired designs inspired by anarchic currents of youthful expression by Jun Takahashi of Undercover. A site-specific video projection by artist Jan Tichy, Installation no. 16, complements the bold fashions on display.
This exhibition marks the first collaboration between the FRC and the museum, as well as the first time that fashions from this collection are on public view.
Support is provided by Jenner and Block LLP and the Terrence Truax Family.
Designed by Rei Kawakubo for Comme de Garçons. Leather Baseball Mitt Jacket and Coordinate Net, Polyester, and Leather Skirt, 2005. Purchased with Fashion Resource Center funds.
11 hours 9 min ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
1 day 5 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
1 day 9 hours ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx