Czech-born French artist Josef Koudelka belongs in the firmament of classic photographers working today. Honored with the French Prix Nadar (1978), the Hasselblad Prize (1992), and the International Center of Photography Infinity Award (2004), Koudelka is also a leading member of the world-renowned photo agency Magnum. This exhibition, his first retrospective in the United States since 1988, is also the first museum show ever to emphasize his original vintage prints, period books, magazines, and significant unpublished materials.
Koudelka became famous in anonymity through the worldwide publication of his daring photographs of the Soviet-led invasion of Prague in August 1968. Just 30 years old at the time, Koudelka had already worked for a decade, principally on Gypsies, for which he visited Roma populations for weeks at a time in his home country and later abroad over the course of years. This ambitious series beautifully combines a sense of modern history with timeless humanism.
Choosing exile to avoid reprisals for his Invasion photographs, Koudelka traveled throughout Europe during the 1970s and 1980s, camping at village festivals from spring through fall and then printing in wintertime. His photographs of those decades became the series Exiles. Since the late 1980s Koudelka has made panoramic landscape photographs in areas massively shaped by industry, territorial conflict, or—in the case of the Mediterranean rim—the persistence of Classical civilization.
Tracing this long and impressive career, this exhibition draws on Koudelka’s extensive holdings of his own work and on recent major acquisitions by the Art Institute, including the complete surviving contents of the debut presentation of Gypsies in 1967 (22 photographs), as well as ten Invasion images printed by the photographer just weeks after the event. Also on display are early experimental and theater photographs and some of the photographer’s beautifully produced books—which stretch dozens of feet when unfolded. A fully illustrated catalogue accompanies the exhibition, which after its debut at the Art Institute travels to the J. Paul Getty Museum, Los Angeles, and Fundación MAPFRE, Madrid.
Organizers The exhibition was co-organized by the Art Institute of Chicago and the J. Paul Getty Museum in association with Fundación MAPFRE.
Sponsors Lead support for the exhibition is provided by the Comer Family Foundation. Generous in-kind support is provided by Tru-Vue, Inc.
Annual support for Art Institute exhibitions is provided by the Exhibitions Trust: Goldman Sachs, Kenneth and Anne Griffin, Thomas and Margot Pritzker, the Earl and Brenda Shapiro Foundation, and the Woman’s Board of the Art Institute of Chicago.
2 days 7 hours ago The Art Institute of Chicago FRIDAY—Kick off the holidays in Chicago with a time-honored tradition as we don our beloved lions with traditional evergreen wreaths. Warm up with free hot chocolate, enjoy live music and family activities in the museum, and visit our Neapolitan crèche and the Holiday Thorne Rooms.
WREATHING OF THE LIONS—http://bit.ly/1ATN0Qy
3 days 8 min ago The Art Institute of Chicago We are thrilled to welcome internationally recognized Chinese art scholar Tao Wang as the Pritzker Chair of the Department of Asian Art and Curator of Chinese Art, as the department aggressively seeks to expand the reach and raise the profile of our Asian collections and programs.
“I am thrilled to join such a storied institution,” said Wang. “This is an exciting time in the field of Asian art, and I look forward to using my knowledge and connections to enhance the Art Institute’s already distinguished collection of Asian art, as well as to promote its research in this area.”