Renowned abstract artist Jesús Rafael Soto was a pioneer—and ultimately lifelong practitioner—of the Op and kinetic art movements, which prioritized both optical illusion and physical dynamism. After training in Caracas, Soto moved to Paris in 1950, where he participated in the seminal 1955 group exhibition Le Mouvement at Galerie Denise René, considered a crucial launching point for postwar experimentation with interactivity and perceptual experience. Believing that perception involves the entire body and not just the mind, Soto and his peers sought to revise the fundamentals of how an audience engages with art.
In 1967 Soto created his first so-called pénétrable, a kind of luminous environmental sculpture that not only invites but in fact demands audience participation. One of only about 30 ever produced by the artist, this iconic installation is on display for the first time since 1986. An early example of Soto’s signature environments, Pénétrable de Chicago presents thousands of transparent filaments hanging from the ceiling in a rectangular formation. Visitors are thus invited to enter an immersive forest of plastic tubes that shimmer and shift in response to every movement. “We are in the world like fish in water,” Soto once explained. In keeping with such a metaphor, his multisensory pénétrables render our passage through space fully palpable.
Sponsors The restoration and exhibition of Pénétrable de Chicago were made possible through the generous support of the Community Associates of the Art Institute of Chicago.
Jesús Rafael Soto. Pénétrable de Chicago, 1971. Gift of Mr. and Mrs. Joseph Randall Shapiro.
9 hours 34 min ago The Art Institute of Chicago Artists in 19th-century Paris went crazy for big cats. ARTicle explores the history around this obsession and some of the works now on view in Lion Hunters: Copying Delacroix's Big Cats.
15 hours 12 min ago The Art Institute of Chicago “Painting depends on ink, ink depends on brush, brush depends on wrist, and wrist depends on the heart and mind.” —Tao Chi
The Inspired Chinese Brush is an installation of traditional Chinese ink paintings showcasing the rich variety of textural effects that could be achieved through careful control of the combination of ink and brushes used in their creation. Tang Yin’s painting Drinking at Night portrays the prominent 11th–century Chinese poet, calligrapher, and governmental official Su Shi drinking alone in a pavilion on a moonlit night. The work gets its name from Su Shi’s poem “Drinking on an Evening in Spring,” which is quoted on the scroll following the painting.
See this painting and the rest of the exhibition on view now in Gallery 134.
1 day 7 hours ago The Art Institute of Chicago The Museum Shop’s new fall collection has arrived online! Spend $75 or more by August 31 and receive free standard shipping on your order. Enter promo code FALL75 at checkout.