Since first coming to prominence in the early 1980s, Alfredo Jaar has simultaneously asserted and questioned art’s ability to raise awareness, solicit empathetic response, and effectively advance social justice. He explores the ways in which social and economic inequities in the developing world are understood in the industrialized West. Exposing the often invisible prejudices embedded in images of cultural difference, his work aims to uncover power imbalances on a global scale: the working conditions of Brazilian gold miners, the detainment of Vietnamese boat people by the Hong Kong government, and the slaughter of the Tutsi by Hutu death squads in Rwanda. Jaar has used his pictures to question journalistic photography’s drive for a total disclosure that results not in the production of objective records but in the creation of new forms of domination and dissociation.
Muxima, Jaar’s first film, is “a cinematic elegy dedicated to the people of Angola.” The structure of the film is deeply rooted in the artist’s love for African music. Muxima (meaning “heart” in the indigenous Angolan language, Kimbundu) is guided by five interpretations of a local folk song and edited into ten cantos, each depicting an aspect of Angola’s devastating history: colonization, Communism, and a 30-year civil war, as well as the current challenges presented by the AIDS epidemic, the oil industry, and extreme poverty. The artist’s repeated references to water suggest a rebirth, giving the viewer hope that, if left undisturbed, Angola might have a chance to thrive. In the second canto, Jaar captured a street sign that asserts the underlying aim of his career: “The most important is to resolve the problems of the people.”
This exhibition is made possible through the generous support of the Community Associates of the Art Institute of Chicago.
4 hours 43 min ago The Art Institute of Chicago Happy birthday to the famous artist and chronicler of Parisian nightlife Henri de Toulouse-Lautrec.
This poster is said to have launched the career of French can-can dancer Jane Avril, whose alluring and unique stage persona inspired Nicole Kidman’s character in the film Moulin Rouge.
See two rarely exhibited prints of Jane Avril along with several other works by Toulouse-Lautrec in Gallery 242.
8 hours 9 min ago The Art Institute of Chicago FRIDAY–Start the holidays off with a roar at the 24th Annual Wreathing of the Lions.
Warm up with complimentary hot chocolate and enjoy the family festivities. Free and open to the public!
23 hours 58 min ago The Art Institute of Chicago This luminous shrine—now on view in Gates of the Lord: The Tradition of Krishna Paintings—translates the centuries-old traditions of the Pushtimarg for audiences today.
Gates of the Lord showcases a wide selection of pichvais, textile hangings used to denote the changing of seasons and festivals throughout the year. Fittingly, this digital update of the pichvai tradition was designed by Kapil Sharma, great-grandson of the 19th-century master Nathdwara artist Narayan Sharma.
See this work and over 100 others in Gates of the Lord, on view through January 3—http://bit.ly/1P4dO8j