Since first coming to prominence in the early 1980s, Alfredo Jaar has simultaneously asserted and questioned art’s ability to raise awareness, solicit empathetic response, and effectively advance social justice. He explores the ways in which social and economic inequities in the developing world are understood in the industrialized West. Exposing the often invisible prejudices embedded in images of cultural difference, his work aims to uncover power imbalances on a global scale: the working conditions of Brazilian gold miners, the detainment of Vietnamese boat people by the Hong Kong government, and the slaughter of the Tutsi by Hutu death squads in Rwanda. Jaar has used his pictures to question journalistic photography’s drive for a total disclosure that results not in the production of objective records but in the creation of new forms of domination and dissociation.
Muxima, Jaar’s first film, is “a cinematic elegy dedicated to the people of Angola.” The structure of the film is deeply rooted in the artist’s love for African music. Muxima (meaning “heart” in the indigenous Angolan language, Kimbundu) is guided by five interpretations of a local folk song and edited into ten cantos, each depicting an aspect of Angola’s devastating history: colonization, Communism, and a 30-year civil war, as well as the current challenges presented by the AIDS epidemic, the oil industry, and extreme poverty. The artist’s repeated references to water suggest a rebirth, giving the viewer hope that, if left undisturbed, Angola might have a chance to thrive. In the second canto, Jaar captured a street sign that asserts the underlying aim of his career: “The most important is to resolve the problems of the people.”
This exhibition is made possible through the generous support of the Community Associates of the Art Institute of Chicago.
1 day 14 hours ago The Art Institute of Chicago NOW ON VIEW—Kemang Wa Lehulere: In All My Wildest Dreams
Artist Kemang Wa Lehulere describes his work as a “protest against forgetting,” reenacting what he calls “deleted scenes” from South African history through a masterful conflation of personal and collective storytelling. See his first American museum show, In All My Wildest Dreams—on view through January 16.
1 day 19 hours ago The Art Institute of Chicago NOW ON VIEW—A new photography rotation showcases groundbreaking Contemporary works from artists like John Baldessari, Sally Mann, Chuck Close, Barbara Kruger, among others—on view in Gallery 10 through January 2.
Image: Richard Misrach. Untitled #696–05, from series On the Beach, 2005. Gift of the artist.
2 days 15 hours ago The Art Institute of Chicago Toulouse-Lautrec’s work increased the visibility of lesbians in 19th-century Paris, portraying them in a sympathetic light when prevailing perceptions were anything but favorable.