Since first coming to prominence in the early 1980s, Alfredo Jaar has simultaneously asserted and questioned art’s ability to raise awareness, solicit empathetic response, and effectively advance social justice. He explores the ways in which social and economic inequities in the developing world are understood in the industrialized West. Exposing the often invisible prejudices embedded in images of cultural difference, his work aims to uncover power imbalances on a global scale: the working conditions of Brazilian gold miners, the detainment of Vietnamese boat people by the Hong Kong government, and the slaughter of the Tutsi by Hutu death squads in Rwanda. Jaar has used his pictures to question journalistic photography’s drive for a total disclosure that results not in the production of objective records but in the creation of new forms of domination and dissociation.
Muxima, Jaar’s first film, is “a cinematic elegy dedicated to the people of Angola.” The structure of the film is deeply rooted in the artist’s love for African music. Muxima (meaning “heart” in the indigenous Angolan language, Kimbundu) is guided by five interpretations of a local folk song and edited into ten cantos, each depicting an aspect of Angola’s devastating history: colonization, Communism, and a 30-year civil war, as well as the current challenges presented by the AIDS epidemic, the oil industry, and extreme poverty. The artist’s repeated references to water suggest a rebirth, giving the viewer hope that, if left undisturbed, Angola might have a chance to thrive. In the second canto, Jaar captured a street sign that asserts the underlying aim of his career: “The most important is to resolve the problems of the people.”
This exhibition is made possible through the generous support of the Community Associates of the Art Institute of Chicago.
1 day 6 hours ago The Art Institute of Chicago NOW ON VIEW—Commissioned for the 1945 Hollywood movie and based on Oscar Wilde's novel of the same name, Ivan Albright's grotesque painting captures the moral decay of the story's protagonist. The hedonistic Dorian Gray sells his soul in exchange for eternal youth. Ultimately, the corruption of his wicked life is revealed in the disfigurement of his likeness in the portrait.
See Picture of Dorian Gray in Gallery 262.
1 day 8 hours ago The Art Institute of Chicago NOW OPEN—Our newly renovated restrooms are sure to wow and impress even the most seasoned user of restrooms. Check out their bright and modern new look on your next visit to the Photography galleries near the Thorne Miniature Rooms; you’ll see once and for all why the Art Institute is the #1 (and #2) museum in the world.