Since first coming to prominence in the early 1980s, Alfredo Jaar has simultaneously asserted and questioned art’s ability to raise awareness, solicit empathetic response, and effectively advance social justice. He explores the ways in which social and economic inequities in the developing world are understood in the industrialized West. Exposing the often invisible prejudices embedded in images of cultural difference, his work aims to uncover power imbalances on a global scale: the working conditions of Brazilian gold miners, the detainment of Vietnamese boat people by the Hong Kong government, and the slaughter of the Tutsi by Hutu death squads in Rwanda. Jaar has used his pictures to question journalistic photography’s drive for a total disclosure that results not in the production of objective records but in the creation of new forms of domination and dissociation.
Muxima, Jaar’s first film, is “a cinematic elegy dedicated to the people of Angola.” The structure of the film is deeply rooted in the artist’s love for African music. Muxima (meaning “heart” in the indigenous Angolan language, Kimbundu) is guided by five interpretations of a local folk song and edited into ten cantos, each depicting an aspect of Angola’s devastating history: colonization, Communism, and a 30-year civil war, as well as the current challenges presented by the AIDS epidemic, the oil industry, and extreme poverty. The artist’s repeated references to water suggest a rebirth, giving the viewer hope that, if left undisturbed, Angola might have a chance to thrive. In the second canto, Jaar captured a street sign that asserts the underlying aim of his career: “The most important is to resolve the problems of the people.”
This exhibition is made possible through the generous support of the Community Associates of the Art Institute of Chicago.
1 day 2 hours ago The Art Institute of Chicago We were happy to have actress/musician @emmyrossum visit and check out our Impressionist collection. She was kind enough to let us share this photo from her visit. Thanks, Emmy! #regram
double double toil & trouble. lovely day at @artinstitutechi. #impressionism
1 day 6 hours ago The Art Institute of Chicago OPENING TOMORROW—Ursula von Rydingsvard: Bronze Bowl with Lace
At nearly 20 feet tall, Bronze Bowl with Lace is a towering form that is as commanding as it is delicate. Perhaps most striking is the intricate lace at the top, whose elaborate pattern is illuminated from within, an effect that is particularly dazzling in so massive a form.
See von Rydingsvard talk in person tomorrow at 2:00—http://bit.ly/1GwfEGy
Image: Ursula von Rydingsvard. Bronze Bowl with Lace, 2015. Private collection, courtesy Galerie Lelong, New York.
2 days 2 hours ago The Art Institute of Chicago Are you a creative teen that wants to be more involved with the museum? We offer a number of awesome events and programs throughout the year specifically designed for teens.
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