Exhibitions > Iterations: John Ronan’s Poetry Foundation
Iterations: John Ronan’s Poetry Foundation
December 14, 2013–May 4, 2014
Founded in 1997 by John Ronan, the Chicago-based architecture firm John Ronan Architects has made its mark with a range of critically acclaimed buildings and a thoughtful approach to spatial relationships and materials. The firm uses a distinct, iterative methodology in order to explore a wide range of options at the outset of a project. While many architects have adopted a completely digital process, Ronan sees advantages in both handmade and digital design methods; the handmade process, seen here, allows for a more intuitive and less calculated approach that is valuable in the beginning stages, while digital tools allow for the precision necessary to finalize a design.
Operating on a shoestring budget since its 1912 founding by Harriet Monroe, Chicago-based Poetry magazine experienced a surprising windfall in 2003 with the bequest of approximately $200 million from the pharmaceutical heiress Ruth Lilly. The magazine reorganized as the Poetry Foundation and decided to build a permanent home to advance its mission of raising the public profile of poetry. After a thorough selection process, the organization selected John Ronan Architects to design the building.
For the Poetry Foundation, Ronan’s design process entailed thoughtful considerations about how to integrate the required elements of the building. As seen here, the iterative approach was used throughout the design’s development—from the initial diagrams and a set of site-specific models to the presentation model—with the goal of creating a compelling spatial narrative. Completed in 2011, the building was recognized with a national design award from the American Institute of Architects.
1 day 10 hours ago The Art Institute of Chicago CLOSING SOON—Invisible Man: Gordon Parks and Ralph Ellison in Harlem
Two major figures in American art and literature aim to make the black experience visible in postwar America.
Closing August 28—http://bit.ly/2aQrnYd
1 day 14 hours ago The Art Institute of Chicago It is believed Van Dyck never intended for the early stages of his etchings to be circulated and was surprised by their immediate popularity in the art market. Finding success at a time when artists didn’t usually show works in progress, these “unfinished” prints helped set the stage for the more recent popularity of works that reveal the creative process. See the prints that altered conventions in Van Dyck, Rembrandt, and the Portrait Print—closing August 7.
2 days 9 hours ago The Art Institute of Chicago #TBT 1983: The museum held an exhibition for the collection of Jalane and Richard Davidson, Chicago collectors of contemporary American realist drawings. Acknowledged at the time for collecting against prevailing art world trends, they amassed a comprehensive collection of work spanning the careers of both well-known artists—like Jack Beal, pictured here with Jalane herself and a portrait he made of her—and lesser-known Midwestern artists. The entire Davidson collection was bequeathed to the museum and saw another exhibition devoted to it in 1999.