The path that led Irving Penn to the seemingly galactic abstractions of his late series Underfoot lay just outside his studio door. Walking the streets of Manhattan with a portable stool and a camera fitted with several extension tubes, Penn lowered his eye and his equipment nearly to the pavement. There he found a universe of abject form: pebbled concrete, cheap discarded matches and cigarette butts, and above all a wealth of masticated gum. Capturing patches of this blobby urban landscape at close range, Penn transformed it with characteristic precision into a world of odd beauty, complete unto itself and unplaceably remote. Former Art Institute Director James Wood, with whom Penn had worked closely to establish the vast archive of his photographs and papers held at the museum, visited the studio and later marveled to Penn at how these photographs showed “the cosmos underfoot.” The Irving Penn Foundation has generously offered all 36 photographs from Underfoot as a gift to the Art Institute in Wood’s memory.
Sponsor Major support for photography exhibitions in the Modern Wing is generously provided by Joyce Chelberg.
1 day 10 hours ago The Art Institute of Chicago Bring Vincent van Gogh’s The Bedroom home with you with our spectacular throw you can hang, hug, or drape.
1 day 15 hours ago The Art Institute of Chicago “A beautiful display of two of americas greatest artists. Two black men with vision, talent and courage… They tell the aspects of our lives from a soul perspective.”
Thanks to Common for his thoughtful response to Invisible Man: Gordon Parks and Ralph Ellison in Harlem. See the exhibition before it closes this Sunday.
1 day 17 hours ago The Art Institute of Chicago Curator Judy Barter highlights the unexpectedly poignant story behind Double Portrait of the Artist in Time by American surrealist Helen Lundeberg.
Visit America after the Fall: Painting in the 1930s and explore the rich cross-section of American artists seeking to forge a new national identity in troubled times.