The path that led Irving Penn to the seemingly galactic abstractions of his late series Underfoot lay just outside his studio door. Walking the streets of Manhattan with a portable stool and a camera fitted with several extension tubes, Penn lowered his eye and his equipment nearly to the pavement. There he found a universe of abject form: pebbled concrete, cheap discarded matches and cigarette butts, and above all a wealth of masticated gum. Capturing patches of this blobby urban landscape at close range, Penn transformed it with characteristic precision into a world of odd beauty, complete unto itself and unplaceably remote. Former Art Institute Director James Wood, with whom Penn had worked closely to establish the vast archive of his photographs and papers held at the museum, visited the studio and later marveled to Penn at how these photographs showed “the cosmos underfoot.” The Irving Penn Foundation has generously offered all 36 photographs from Underfoot as a gift to the Art Institute in Wood’s memory.
Sponsor Major support for photography exhibitions in the Modern Wing is generously provided by Joyce Chelberg.
2 days 3 hours ago The Art Institute of Chicago Make a trip to the Art Institute part of your Memorial Day plans this year!
Become a member to beat the lines and enjoy benefits throughout the year.
Image: Edward Henry Potthast. A Holiday, c. 1915. Friends of American Art Collection.
3 days 23 hours ago The Art Institute of Chicago “Given enough time, it will sculpt itself.”
The New Yorker just called Charles Ray “the man making sculpture modern.” Get a preview of the spellbinding work now on view in Charles Ray: Sculpture, 1997–2014.