The path that led Irving Penn to the seemingly galactic abstractions of his late series Underfoot lay just outside his studio door. Walking the streets of Manhattan with a portable stool and a camera fitted with several extension tubes, Penn lowered his eye and his equipment nearly to the pavement. There he found a universe of abject form: pebbled concrete, cheap discarded matches and cigarette butts, and above all a wealth of masticated gum. Capturing patches of this blobby urban landscape at close range, Penn transformed it with characteristic precision into a world of odd beauty, complete unto itself and unplaceably remote. Former Art Institute Director James Wood, with whom Penn had worked closely to establish the vast archive of his photographs and papers held at the museum, visited the studio and later marveled to Penn at how these photographs showed “the cosmos underfoot.” The Irving Penn Foundation has generously offered all 36 photographs from Underfoot as a gift to the Art Institute in Wood’s memory.
Sponsor Major support for photography exhibitions in the Modern Wing is generously provided by Joyce Chelberg.
22 min 59 sec ago The Art Institute of Chicago BACK ON VIEW—Renoir’s delightful homage to youth and springtime returns after a year off view. This Impressionist masterpiece has long been one of our most popular works.
See Two Sisters in Gallery 201.
2 days 21 hours ago The Art Institute of Chicago BACK ON VIEW—Jules Breton’s Song of the Lark was considered at one time the most popular painting in America, according to a poll conducted in 1934. It was Eleanor Roosevelt’s favorite work of art and it even saved Bill Murray’s life when he had almost given up. Quite a list of accomplishments!
See it back on view in Gallery 222.