The path that led Irving Penn to the seemingly galactic abstractions of his late series Underfoot lay just outside his studio door. Walking the streets of Manhattan with a portable stool and a camera fitted with several extension tubes, Penn lowered his eye and his equipment nearly to the pavement. There he found a universe of abject form: pebbled concrete, cheap discarded matches and cigarette butts, and above all a wealth of masticated gum. Capturing patches of this blobby urban landscape at close range, Penn transformed it with characteristic precision into a world of odd beauty, complete unto itself and unplaceably remote. Former Art Institute Director James Wood, with whom Penn had worked closely to establish the vast archive of his photographs and papers held at the museum, visited the studio and later marveled to Penn at how these photographs showed “the cosmos underfoot.” The Irving Penn Foundation has generously offered all 36 photographs from Underfoot as a gift to the Art Institute in Wood’s memory.
Sponsor Major support for photography exhibitions in the Modern Wing is generously provided by Joyce Chelberg.
1 day 13 hours ago The Art Institute of Chicago 25,000 military personnel joined together at Camp Dix to make this patriotic "living photograph" back in 1918.
From all of us at the Art Institute, have a safe and happy Fourth of July!
3 days 9 hours ago The Art Institute of Chicago #tbt, 1937—#SalvadorDalí, age 33, stands in front of A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano. See it now on view in Gallery 396A.
4 days 5 hours ago The Art Institute of Chicago NOW OPEN—Degas: At the Track, On the Stage
Explore Degas’s career-long fascination with the figure in motion through the subjects of the racetrack and ballet.