Gordon Parks and Ralph Ellison are both recognized as major figures in American art and literature: Parks, a renowned photographer and filmmaker, was best known for his poignant and humanizing photo-essays for Life magazine. Ellison authored one of the most acclaimed—and debated—novels of the 20th century, Invisible Man (1952). What is less known about these two esteemed artists is that their friendship, coupled with a shared vision of racial injustices and a belief in the communicative power of photography, inspired collaboration on two projects, one in 1948 and another in 1952.
Capitalizing on the growing popularity of the picture press, Parks and Ellison first joined forces in 1948, on an essay titled “Harlem Is Nowhere,” for ’48: The Magazine of the Year, which focused on Harlem’s Lafargue Mental Hygiene Clinic as a means of highlighting the social and economic effects of racism and segregation. In 1952 they again worked together, producing “A Man Becomes Invisible” for Life magazine, which illustrated scenes from Ellison’s Invisible Man. Both projects aimed to make the black experience visible in postwar America, with Harlem as its nerve center. However, neither essay was published as originally conceived—the first was lost, while only a fragment of the second appeared in print.
This exhibition reunites for the first time the surviving photographs and texts intended for the two projects, including never-before-seen photographs by Parks from the collections of the Art Institute and the Gordon Parks Foundation and unpublished manuscripts by Ellison. Revealed in these frank depictions of Harlem is Ellison and Parks’s symbiotic insistence on making race a larger, universal issue, finding an alternative, productive means of representing African American life, and importantly, staking a claim for the black individual within—rather than separate from—the breadth of American culture.
Additional support for the exhibition is provided by The Robert Mapplethorpe Foundation.
Special thanks are due to The Gordon Parks Foundation.
15 hours 34 min ago The Art Institute of Chicago #TBT This 1908 postcard shows the Art Institute as it looked the last time the Chicago Cubs won the #WorldSeries. 108 years later the city has #CubsFever all over again. #NeverStopBelieving #FlyTheW
17 hours 5 min ago The Art Institute of Chicago TOMORROW at 6:30—British journalist and design critic Alice Rawsthorn joins us to discuss her latest book, Hello World, chronicling her many years of research and reporting on the state of design past, present, and future. Free with registration.
19 hours 32 min ago The Art Institute of Chicago “History is something that continuously creeps into the present.”
South African artist Kemang Wa Lehulere describes his work as a “protest against forgetting.” See his first American museum show, In All My Wildest Dreams, now on view in the Modern Wing.