The School of the Art Institute (SAIC) and the Art Institute of Chicago museum have long shared a symbiotic relationship—one institution training artists and the other establishing an encyclopedic collection of works of art for artists and the public alike to study and enjoy. Since the Art Institute’s earliest days, students have enjoyed spending class time in the galleries and have found inspiration in the museum’s collection. Today, the museum is fortunate to count a great deal of works by SAIC alumni among its holdings.
To celebrate the long association between the museum and the school, Homegrown features approximately 120 objects, primarily works on paper, from the Art Institute’s collection made by artists who attended SAIC. Beginning with the early 20th century and organized by decade, the display presents works by some of the most illustrious SAIC-educated artists while also prominently featuring pieces by those whose tenure at the school has at times been overlooked. Highlights include 20 iconic self-portraits by Ivan Albright (1897–1983), created at the end his career using a variety of drawing and painting media, and a selection of color woodblock prints by Gustave Baumann (1881–1971), a Santa Fe–based artist, designer, and letterpress printer who studied at SAIC as a teenager. Also included are the sketchbooks of Margo Hoff and LeRoy Neiman; Neiman’s drawings of Chicago’s Oak Street Beach, in particular, showcase the glitterati of a period typified by Hugh Hefner’s founding of Playboy in the city in 1953. Pieces by the so-called Monster Roster artists who matured in the late-1940s and early 1950s—including Cosmo Campoli, Leon Golub, and Nancy Spero—and Imagist and Hairy Who artists such as Gladys Nilsson, Suellen Rocca, Sarah Canright, and Christina Ramberg, along with a variety of more recent works, round out the selections. Nilsson’s Big School Picture; Little Paper Mural, commissioned by SAIC to be used as a poster advertising the school, serves as a particularly witty, beautiful example of the artist’s work in its maturity.
That the school has produced such a range and wealth of talented artists over the years and that the museum has been able to acquire so much of this work to share are truly causes for celebration. The Art Institute of Chicago invites you to experience and explore the best of Chicago’s very own—works by artists “homegrown” here on Michigan Avenue.
2 hours 58 min ago The Art Institute of Chicago COMING SOON—Hélio Oiticica: To Organize Delirium
Explore the relentlessly innovative works of Brazilian artist Hélio Oiticica, arguably the most influential Latin American artist of the post–World War II period.
Oiticica’s adventurous works on paper paved the way for increasingly immersive large-scale installations that inspired Tropicália, a powerful movement in all the arts and a political position against both the right’s conservatism and the left’s desire for a purely Brazilian art. Throughout his brief but energetic career, Oiticica seamlessly melded formal and social concerns in his art, seeking to be internationally relevant and, at the same time, specifically Brazilian.
Opening February 18—http://bit.ly/2kevQIM
1 day 2 hours ago The Art Institute of Chicago “Every new painting is like throwing myself into the water without knowing how to swim.”
Happy birthday to accomplished swimmer Édouard Manet.
See ten works by Manet now on view—http://bit.ly/2jpR5X2
1 day 3 hours ago The Art Institute of Chicago THURSDAY at 6:00—Join us for a lecture with photographer and
MacArthur fellow LaToya Ruby Frazier as she discusses her work—personal, incisive explorations of issues surrounding race, representation, and social justice in places such as Flint, Michigan and her hometown of Braddock, Pennsylvania.
Free to IL residents—http://bit.ly/2jRrhpV