The beloved decorating tradition is back—and more festive than ever—with 11 rooms dressed in holiday finery! This year, the 1930s French Library joins the celebration with a tiny taste of Art Deco holiday glamour. Plus, a new long-term loan, a miniature replica of the breakfast room of Frank Lloyd Wright’s William Martin House in Oak Park, will be unveiled for the first time.
Ten other rooms continue the beloved decorating tradition. Among the most elaborate is the English Drawing Room of the Victorian Period, the only room with a Christmas tree. Now a ubiquitous feature of the season, the Christmas tree or tannenbaum, was only brought to England from Germany in 1840 with the marriage of Prince Albert to Queen Victoria. The Thorne Room tree and accoutrements are based on a famous engraving of the royal couple and their children surrounding a trimmed and toy-bedecked tree, an image that would forever popularize this holiday fixture. Other ornamented rooms include the English Great Hall of the Tudor period with a wassailing bowl, yule log, and an essential part of the costuming for that period’s singing-dancing revelers—a mummer’s mask; the Virginia Entrance Hall with mistletoe, wreath, and garland; the French Provincial Bedroom with shoes, or sabots, lined up before the fireplace, a crèche, and puzzle; the modern-era California Hallway with an Otto Natzler mid-century menorah and box with a dreidel; the traditional Chinese interior set to ring in the Chinese New Year; and the New Orleans, New Mexico, the Pennsylvania Dutch (German) rooms filled with regional treats of the season.
12 hours 35 min ago The Art Institute of Chicago COMING SOON—Provoke: Photography in Japan between Protest and Performance, 1960–75
The short-lived Tokyo magazine Provoke is now recognized as a major achievement in world photography of the last 50 years. A major international traveling show, which has Chicago as its only North American venue, this exhibition is the first survey of postwar Japanese art to be organized at the Art Institute and draws heavily on the the museum’s collection—more than 60% of the over 200 items on display belong to the Art Institute.
OPENING JANUARY 28—http://bit.ly/2jMlnUx
15 hours 47 min ago The Art Institute of Chicago NOW ON VIEW—The Italian–born American artist Josef Stella revisited his native Italy in 1922, where he became fascinated by Renaissance painting. Drawing inspiration from Sandro Botticelli, Stella began to produce decorative, detailed, symbolic compositions, such as A Vision (seen here). Stella was enthralled by the tropical plants he observed at the Bronx Botanical Garden in New York, and he imagined an iconic woman growing out of the earth like the towering flowers on either side of her.
The French–born American artist Gaston Lachaise found his own iconic inspiration for the sculpture, Woman (Elevation), in Isabel Dutaud Nagle, whom he later married, telling her, “I want to create a miracle with it… as great as you.” This sculpture represents Lachaise’s first full-scale expression of the idealized female form that would come to dominate his art. Modernists like Lachaise believed preclassical art possessed a primitive vitality absent from later art forms.
See Josef Stella’s A Vision (1925/26) and Gaston Lachaise’s Woman (Elevation) (1912–15; cast 1927)—on view in Gallery 271.
1 day 12 hours ago The Art Institute of Chicago NOW OPEN—Rodney McMillian: a great society
Our latest exhibition in the Modern Wing represents the last decade of the artist’s work in video. Grappling with the complexities of class, race, and place in America, Rodney McMillian employs elements of performance, public speaking, oral history—and his interest in the science fiction genre—to expose the social and psychological consequences of economic inequality, endemic racism, and the failed promise of freedom and prosperity for all of its citizens. While McMillian's work engages the often stark realities of history and contemporary culture, it is motivated by the potential for alternative realities and future transformation.
See Rodney McMillian: a great society on view in the Modern Wing through March 26.