Hiroshige stands as an incomparable artist among the many designers of ukiyo-e. His prints and paintings are a marvelous evocation of rain, snow, mist and moonlight. In one sense, they record a world of the past, but in another sense, they describe a world in which we still live, but we are blind to it until we see it in Hiroshige’s eyes. —Suzuki Jûzô, Hiroshige, 1970
Here the scholar Suzuki Jûzô describes the powerful effect the work of Utagawa Hiroshige has had on generations of print lovers, both within Japan and in the world at large. Indeed, there are probably more prints by Hiroshige “in circulation” than there are by any other ukiyo-e (pictures of the floating world) artist. Because of their popularity, editions of Hiroshige’s prints ran into the thousands, and a great many have survived.
Utagawa Hiroshige was born in Edo (present-day Tokyo) in 1797 and died there in 1858. His earliest work was produced as a teenager, but it was not until the 1830s that he started designing the landscapes and bird and flower images for which he is most famous. This exhibition pulls from among some 1,600 prints by Hiroshige in the Art Institute’s collection and is devoted exclusively to snow scenes. These works show winter from a variety of perspectives, from the hardships endured by mid-19th century workers and travelers to the serenity of a snow-covered landscape. Even in these often bleak settings, the quiet beauty of nature is apparent, whether in the view of an eagle soaring through the sky or a duck occupying the sliver of a stream.
Utagawa Hiroshige. Kanbara, Evening Snow (Kanbara, yoru no yuki), from the series The Fifty-Three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), c. 1833–34. Clarence Buckingham Collection.
16 hours 54 min ago The Art Institute of Chicago Fullerton Hall
Free to Illinois residents or with museum admission
Brazilian artist and scholar Andreas Valentin recalls his time in New York City with artist Hélio Oiticica and screens a series of short films the two produced in collaboration.
*Museum admission is free for Illinois residents every Thursday, 5:00–8:00—including during this event.
17 hours 18 min ago The Art Institute of Chicago NOW ON VIEW—Rodney McMillian: a great society
a great society represents artist Rodney McMillian's work in video over the last decade. Grappling with the complexities of class, race, and place in America, McMillian employs elements of performance, public speaking, oral history—and his interest in the science fiction genre—to expose the social and psychological consequences of economic inequality, endemic racism, and the failed promise of freedom and prosperity for all of its citizens. While McMillian's work engages the often stark realities of history and contemporary culture, it is motivated by the potential for alternative realities and future transformation.
Closing March 26—http://bit.ly/2l5Ja6e
22 hours 1 min ago The Art Institute of Chicago CLOSING SOON—John Massey: Cartón de Venezuela
One of Chicago’s great design stories emerged from the Container Corporation of America (CCA) in the middle of the 20th century. Upon his appointment in 1964 as the CCA's head of design, Chicagoan John Massey formed a research arm, the Center for Advanced Research in Design (CARD), that enabled great creativity and innovation within a corporate structure.
This exhibition features a set of posters by Massey for the CCA’s subsidiary Cartón de Venezuela. Each poster represents a different month of the year, with strong, clean lines and bold colors reflecting one of Massey’s primary influences, the Swiss school of design.
Closing March 5—http://bit.ly/2lYlz6I