Hiroshige stands as an incomparable artist among the many designers of ukiyo-e. His prints and paintings are a marvelous evocation of rain, snow, mist and moonlight. In one sense, they record a world of the past, but in another sense, they describe a world in which we still live, but we are blind to it until we see it in Hiroshige’s eyes. —Suzuki Jûzô, Hiroshige, 1970
Here the scholar Suzuki Jûzô describes the powerful effect the work of Utagawa Hiroshige has had on generations of print lovers, both within Japan and in the world at large. Indeed, there are probably more prints by Hiroshige “in circulation” than there are by any other ukiyo-e (pictures of the floating world) artist. Because of their popularity, editions of Hiroshige’s prints ran into the thousands, and a great many have survived.
Utagawa Hiroshige was born in Edo (present-day Tokyo) in 1797 and died there in 1858. His earliest work was produced as a teenager, but it was not until the 1830s that he started designing the landscapes and bird and flower images for which he is most famous. This exhibition pulls from among some 1,600 prints by Hiroshige in the Art Institute’s collection and is devoted exclusively to snow scenes. These works show winter from a variety of perspectives, from the hardships endured by mid-19th century workers and travelers to the serenity of a snow-covered landscape. Even in these often bleak settings, the quiet beauty of nature is apparent, whether in the view of an eagle soaring through the sky or a duck occupying the sliver of a stream.
Utagawa Hiroshige. Kanbara, Evening Snow (Kanbara, yoru no yuki), from the series The Fifty-Three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), c. 1833–34. Clarence Buckingham Collection.
1 day 13 hours ago The Art Institute of Chicago Bring Vincent van Gogh’s The Bedroom home with you with our spectacular throw you can hang, hug, or drape.
1 day 18 hours ago The Art Institute of Chicago “A beautiful display of two of americas greatest artists. Two black men with vision, talent and courage… They tell the aspects of our lives from a soul perspective.”
Thanks to Common for his thoughtful response to Invisible Man: Gordon Parks and Ralph Ellison in Harlem. See the exhibition before it closes this Sunday.
1 day 20 hours ago The Art Institute of Chicago Curator Judy Barter highlights the unexpectedly poignant story behind Double Portrait of the Artist in Time by American surrealist Helen Lundeberg.
Visit America after the Fall: Painting in the 1930s and explore the rich cross-section of American artists seeking to forge a new national identity in troubled times.