Heaven and Earth: Art of Byzantium from Greek Collections presents 63 superb artworks from the early Christian and Byzantine eras in the Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art. Originally exhibited at the National Gallery of Art in Washington, DC, and the J. Paul Getty Museum in Los Angeles, the exhibition represents major artistic holdings from Greece—many of which have never been exhibited outside that country—consisting of shimmering mosaics, architectural fragments, manuscripts, luxury glass, silver, personal adornments, liturgical textiles, and painted icons. The Art Institute’s display offers a selection of exceptional works from the original exhibition, including the debut of the 14th-century Icon of Saint Prokopios.
For over 1,000 years, Greece was part of the vast Byzantine Empire, established in 330 A.D. by the emperor Constantine, who moved the capital of the Roman Empire eastwards to a small town named Byzantium in modern-day Turkey. Renamed and transformed into Constantinople, Byzantium would later lend its name to an empire of splendor and power that endured for more than a millennium. Greek replaced Latin as the language of the empire, and Greece itself was home to important centers of theology, scholarship, and artistic production. Heaven and Earth explores the rich legacy of the Byzantine Empire through five main themes: the transition from the Classical to the Byzantine world, spiritual life, intellectual life, the pleasures of life, and crosscurrents between East and West during the final days of the empire in the 15th century.
Heaven and Earth: Art of Byzantiumfrom Greek Collections was organized by the Hellenic Ministry of Culture and Sports, Athens, with the collaboration of the Benaki Museum, Athens, and in association with the National Gallery of Art, Washington, DC, and the J. Paul Getty Museum in Los Angeles.
Major funding for Heaven and Earth: Art of Byzantium from Greek Collections has been provided by the Jaharis Family Foundation, Inc. Additional support has been provided by the Stratis family, Charlotte Vern Olson, and Karen and Walter Alexander.
The exhibition's US tour is made possible through OPAP S.A.'s major funding. Financial support is also provided by the A. G. Leventis Foundation.
The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
3 hours 33 min ago The Art Institute of Chicago NOW ON VIEW—Provoke: Photography in Japan between Protest and Performance, 1960–1975
Provoke was the English-language title for a Japanese photo magazine of the late 1960s; the name also designates the group of photographers and writers who put that formative publication together. Their influence has grown so great that the “Provoke era” is now international shorthand for sixties counterculture in Japan. This generational uprising swelled from the massive unrest, and sheer cultural disorientation, that accompanied the country’s transformation from ruined empire to superpower after World War II.
This exhibition places the achievements of Provoke alongside those of protesters and protest collectives, who made riveting photobooks, films, and photographs throughout the same era, as well as artists and art collectives keenly interested in live performance and its relation to the mechanical image.
7 hours 5 min ago The Art Institute of Chicago NEW ACQUISITION—In the early decades of the sixteenth century, Antwerp was a great center of commerce, finance, and luxury trade. The Flemish city attracted innovative painters like Quentin Massys, Jan Gossart, and Joos van Cleve working in a style that combined northern traditions with Italianate forms. Numerous other painters, whose work is only known under names of convenience, like the Master of the Lille Adoration, swelled the ranks of the Antwerp guild.
Saint Jerome in Penitence (by the Master of the Lille Adoration) is an ideal addition to our collection and can be seen alongside other exemplary paintings from Renaissance Antwerp—on view in Gallery 207.
1 day 6 hours ago The Art Institute of Chicago This bronze by Daniel Chester French is a reduced version of the full-size statue in the Lincoln Memorial in Washington, D.C., which French worked on with the architect Henry Bacon. The Lincoln Memorial has remained a cherished destination at the National Mall since its dedication in 1922.
Find French's historic depiction of Lincoln in our galleries of American art.