The past returns as over 550 works from 4,000 years of artistic achievement in the Mediterranean region come together in the beautiful Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art. With over 150 exceptional loans from private collections and public institutions around the world complementing the museum’s own rich holdings, this inaugural display allows the Art Institute to present for the first time the origins and early development of Western art from the dawn of the third millennium B.C. to the time of the great Byzantine Empire.
Designed by Kulapat Yantrasast of wHY Architecture, the new sunlit galleries encircling McKinlock Court take visitors on a journey through the beginnings of Western art. Opening the installation are the rare Mesopotamian Statuette of a Striding Figure from 3000/2800 B.C. and the sublimely abstracted Female Figure from 2600/2500 B.C., reminders that the rich influences of early Mediterranean art extend back to the highly developed cultures of the ancient Near East and forward into 20th-century modern art. From these anchors, a chronological display follows—from beautifully decorated Greek vases and the precious metals of the Hellenistic period to Etruscan bronze and terracotta and the opulent décor and realistic portraiture of Rome and finally to Byzantine art and the new aesthetic developed under the growing power of the Christian Church.
The Jaharis Galleries’ stunning display of ancient artwork is enriched by two additional resources. One gallery offers insight into the fascinating conservation of the objects on display, while an interactive multimedia program stationed at 16 kiosks throughout the galleries provides information on selected objects, ranging from basic introductory facts to in-depth details on the artworks’ function, form, subject, historical context, technique of manufacture, and relationships to particular people, places, and objects. Also available is a richly illustrated publication, Recasting the Past, authored by Karen Manchester, chair and curator of ancient art, Department of Ancient and Byzantine Art, with an essay by Karen Alexander.
1 day 53 min ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
1 day 18 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
1 day 23 hours ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx