Exhibitions > The Formation of the Japanese Print Collection at the Art Institute: Frank Lloyd Wright and the Prairie School
The Formation of the Japanese Print Collection at the Art Institute: Frank Lloyd Wright and the Prairie School
August 18, 2012–November 4, 2012
As an architect, art dealer, and designer, Frank Lloyd Wright was greatly inspired and influenced by the art and culture of Japan. His 1893 visits to Japan’s national pavilion at the World’s Columbian Exposition in Chicago had a lasting affect on the young architect. He first went to Japan in 1905, and returned from the trip with a large selection of prints, many of which he intended to sell. Later, he resided in Japan while working on Tokyo’s Imperial Hotel, giving him the chance to deepen his appreciation of Japanese nature and culture as seen in woodblock prints. While he did not return to Japan after the hotel’s completion in 1922, he continued to collect and sell prints until his death in 1959.
Over the course of his lifetime, Frank Lloyd Wright consistently lent Japanese prints to the Art Institute, but his most important exhibition was undoubtedly a large show of prints he mounted at the museum in 1908 with an installation of specially designed frames and furniture. For the first time, museum visitors in Chicago were treated to a staggering array of Japanese prints from a variety of artists and time periods. The majority of the works on view were lent by Frank Lloyd Wright himself.
Clarence Buckingham, whose name graces the Japanese print gallery at the Art Institute, purchased several prints from Frank Lloyd Wright for his personal collection in 1911. For this sale, and throughout Buckingham's years as a collector, he sought the advice of fellow collector and art consultant Frederick Gookin. Following Buckingham's death, Gookin organized the Buckingham collection for accessioning by the Art Institute and held the position as curator of Japanese art until 1936.
This exhibition is comprised of Japanese prints originally purchased from Frank Lloyd Wright, photos of the 1908 exhibition, as well as presentation drawings by Wright and his studio. Many of the drawings are by talented draftswoman Marion Mahony Griffin and show the incorporation of elements found in Wright’s Japanese prints. In this collaborative exhibition, works drawn from the departments of Asian Art, Architecture and Design, and the Ryerson and Burnham Libraries will be on view.
A photograph of the Japanese print exhibition Frank Lloyd Wright organized at the Art Institute in 1908.
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Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
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Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
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In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx