In the 1920s New York City surpassed London to become the most populous and industrially advanced city in the world. A dense and animated urban environment without parallel, the city emerged as the cultural icon we know today, driven in part by an influx of European artists and an upswing in the number of galleries and museums dedicated to modern art. A number of photographers working in this dynamic environment made the city and its populace their subject.
Artists such as Morris Engel, Louis Faurer, Robert Frank, Helen Levitt, Paul Strand, and Weegee were among those deeply inspired by New York City. Photographing or filming everyday scenes as well as bustling, illuminated nightlife, these artists reveled in the genre of street photographyand created some of America’s first avant-garde cinema. Groups such as the Film and Photo League (later the Photo League), formed in 1931, championed photography’s ability to record the city in transition, with a particular focus on life in working-class neighborhoods. The group remained active until 1951, and its impact lasted for decades. This trajectory of discovery and influence lies at the heart of the presentation of Film and Photo in New York
The exhibition draws on the permanent collection of the Art Institute of Chicago, which includes a significant number of New York City street photographs made between the 1920s and the 1950s. Among these works are many important photographs recently acquired thanks to a grant from the Phillip and Edith Leonian Foundation, including an extensive Morris Engel photo essay on view in its own gallery. Rarely seen films will be presented alongside the exhibition’s nearly 80 photographic works—more than half of which have never been displayed before—creating a compelling glimpse of a pivotal time in both New York City and the history of photography and film.
Gallery 4 Showtimes Paul Strand, Manhatta (1920/21): 10:45 a.m., 2:00 p.m. Louis Faurer, Time Capsule (1960s): 11:00 a.m., 2:15 p.m. Weegee, Weegee’s New York (1948): 11:15 a.m., 2:30 p.m. Helen Levitt, In the Street (1952): 11:40 a.m., 2:55 p.m. Morris Engel, Little Fugitive (1953): 12:00 p.m., 3:15 p.m. Robert Frank, Pull My Daisy (1959): 1:30 p.m., 4:40 p.m.
Film and Photo in New Yorkis organized by the Art Institute of Chicago. This exhibition is generously supported by Mrs. Robert O. Levitt. Additional support is provided by the Phillip and Edith Leonian Foundation.
2 days 1 hour ago The Art Institute of Chicago “It's instinctive in a certain kind of painting... It's like a nervous system… The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.”
Happy birthday, Cy Twombly!
Image: Cy Twombly. The First Part of the Return from Parnassus, 1961. Through prior gift of Mary and Leigh Block; Marian and Samuel Klasstorner and Major Acquistions Endowment Income funds; Wirt D. Walker Trust; Estate of Walter Aitken; Director's Fund; Helen A. Regenstein Endowment; Laura T. Magnuson Acquisition Fund.
2 days 19 hours ago The Art Institute of Chicago MAY 15—Join us for After Dark with special tours of Ireland: Crossroads of Art and Design, 1690–1840, live performances, DJ sets, pints of Guinness at the cash bar, and more!