In the 1920s New York City surpassed London to become the most populous and industrially advanced city in the world. A dense and animated urban environment without parallel, the city emerged as the cultural icon we know today, driven in part by an influx of European artists and an upswing in the number of galleries and museums dedicated to modern art. A number of photographers working in this dynamic environment made the city and its populace their subject.
Artists such as Morris Engel, Louis Faurer, Robert Frank, Helen Levitt, Paul Strand, and Weegee were among those deeply inspired by New York City. Photographing or filming everyday scenes as well as bustling, illuminated nightlife, these artists reveled in the genre of street photographyand created some of America’s first avant-garde cinema. Groups such as the Film and Photo League (later the Photo League), formed in 1931, championed photography’s ability to record the city in transition, with a particular focus on life in working-class neighborhoods. The group remained active until 1951, and its impact lasted for decades. This trajectory of discovery and influence lies at the heart of the presentation of Film and Photo in New York
The exhibition draws on the permanent collection of the Art Institute of Chicago, which includes a significant number of New York City street photographs made between the 1920s and the 1950s. Among these works are many important photographs recently acquired thanks to a grant from the Phillip and Edith Leonian Foundation, including an extensive Morris Engel photo essay on view in its own gallery. Rarely seen films will be presented alongside the exhibition’s nearly 80 photographic works—more than half of which have never been displayed before—creating a compelling glimpse of a pivotal time in both New York City and the history of photography and film.
Gallery 4 Showtimes Paul Strand, Manhatta (1920/21): 10:45 a.m., 2:00 p.m. Louis Faurer, Time Capsule (1960s): 11:00 a.m., 2:15 p.m. Weegee, Weegee’s New York (1948): 11:15 a.m., 2:30 p.m. Helen Levitt, In the Street (1952): 11:40 a.m., 2:55 p.m. Morris Engel, Little Fugitive (1953): 12:00 p.m., 3:15 p.m. Robert Frank, Pull My Daisy (1959): 1:30 p.m., 4:40 p.m.
Film and Photo in New Yorkis organized by the Art Institute of Chicago. This exhibition is generously supported by Mrs. Robert O. Levitt. Additional support is provided by the Phillip and Edith Leonian Foundation.
1 day 6 hours ago The Art Institute of Chicago NOW ON VIEW—Commissioned for the 1945 Hollywood movie and based on Oscar Wilde's novel of the same name, Ivan Albright's grotesque painting captures the moral decay of the story's protagonist. The hedonistic Dorian Gray sells his soul in exchange for eternal youth. Ultimately, the corruption of his wicked life is revealed in the disfigurement of his likeness in the portrait.
See Picture of Dorian Gray in Gallery 262.
1 day 9 hours ago The Art Institute of Chicago NOW OPEN—Our newly renovated restrooms are sure to wow and impress even the most seasoned user of restrooms. Check out their bright and modern new look on your next visit to the Photography galleries near the Thorne Miniature Rooms; you’ll see once and for all why the Art Institute is the #1 (and #2) museum in the world.