In the 1920s New York City surpassed London to become the most populous and industrially advanced city in the world. A dense and animated urban environment without parallel, the city emerged as the cultural icon we know today, driven in part by an influx of European artists and an upswing in the number of galleries and museums dedicated to modern art. A number of photographers working in this dynamic environment made the city and its populace their subject.
Artists such as Morris Engel, Louis Faurer, Robert Frank, Helen Levitt, Paul Strand, and Weegee were among those deeply inspired by New York City. Photographing or filming everyday scenes as well as bustling, illuminated nightlife, these artists reveled in the genre of street photographyand created some of America’s first avant-garde cinema. Groups such as the Film and Photo League (later the Photo League), formed in 1931, championed photography’s ability to record the city in transition, with a particular focus on life in working-class neighborhoods. The group remained active until 1951, and its impact lasted for decades. This trajectory of discovery and influence lies at the heart of the presentation of Film and Photo in New York
The exhibition draws on the permanent collection of the Art Institute of Chicago, which includes a significant number of New York City street photographs made between the 1920s and the 1950s. Among these works are many important photographs recently acquired thanks to a grant from the Phillip and Edith Leonian Foundation, including an extensive Morris Engel photo essay on view in its own gallery. Rarely seen films will be presented alongside the exhibition’s nearly 80 photographic works—more than half of which have never been displayed before—creating a compelling glimpse of a pivotal time in both New York City and the history of photography and film.
Gallery 4 Showtimes Paul Strand, Manhatta (1920/21): 10:45 a.m., 2:00 p.m. Louis Faurer, Time Capsule (1960s): 11:00 a.m., 2:15 p.m. Weegee, Weegee’s New York (1948): 11:15 a.m., 2:30 p.m. Helen Levitt, In the Street (1952): 11:40 a.m., 2:55 p.m. Morris Engel, Little Fugitive (1953): 12:00 p.m., 3:15 p.m. Robert Frank, Pull My Daisy (1959): 1:30 p.m., 4:40 p.m.
Film and Photo in New Yorkis organized by the Art Institute of Chicago. This exhibition is generously supported by Mrs. Robert O. Levitt. Additional support is provided by the Phillip and Edith Leonian Foundation.
2 hours 51 min ago The Art Institute of Chicago See rare self-portraits from artists such as Edvard
Munch, Edgar Degas, and Camille Pissarro, among others—part of the exhibition Van Dyck, Rembrandt, and the Portrait.
Edvard Munch, possibly printed by Nielsen Lassally. Self-Portrait, 1895. Clarence Buckingham Collection.
Edgar Degas. Self-Portrait, 1857. Joseph Brooks Fair Collection.
Camille Pissarro. Camille Pissarro, A Self-Portrait, c. 1890. Gift of Marjorie Blum-Kovler Collection and the Harry and Maribel G. Blum Foundation.
18 hours 24 min ago The Art Institute of Chicago Take these pins from dress-up to décor with this simple DIY.
Museum Shop Blog—http://bit.ly/1ruxRmp
1 day 22 min ago The Art Institute of Chicago If our May 13 After Dark sold out before you were able to buy tickets, we are pleased to announce we’re releasing a limited run of additional tickets. Buy yours before they sell out again!