Exhibitions > Expanded Gallery for Arthur Rubloff Collection of Paperweights
Expanded Gallery for Arthur Rubloff Collection of Paperweights
“Some fragment of a dream”—that is how American writer Truman Capote, himself a devoted collector of paperweights, described these fascinating objects. The hundreds of thousands of visitors who delight in the Art Institute’s Arthur Rubloff Collection of Paperweights every year would surely agree. Since the fall of 2012, there is even more of that dream to discover. Thanks to the generous support of the International Paperweight Society Foundation and L. H. Selman, Ltd., along with the involvement of the family of Wes Clark in memory of Paul Jokelson, the Art Institute was able to expand our gallery dedicated to paperweights.
Bursting with gorgeous color and mesmerizing pattern and design, the Arthur Rubloff Collection of Paperweights came to the museum in 1978. Rubloff, a real estate developer and dedicated philanthropist, was among the first generation of 20th-century paperweight collectors to rediscover objects of the mid-19th century, known as the form’s classic period. He made his first paperweight purchases in 1947 as gifts for his real estate partner, who had a small collection, but soon became enamored with the objects himself. He was not alone; a growing number of collectors gathered under the umbrella of the Paperweight Collectors Association, founded in 1953. Rubloff eventually amassed a total of 1,472 paperweights, of which 1,200 were donated to the Art Institute. This remarkable assemblage is now recognized as one of three premier collections in the world. Few collections more fully showcase the quality of craftsmanship, technological innovation, intricacy, and beauty of this art form.
The gallery expansion project increased the number of paperweights on view from 341 to more than 800. Eight new wall cases, along with a new pedestal case, have been installed, all to highlight a larger selection from the Rubloff Collection. And, for the first time a dedicated space features a selection of contemporary paperweights, including a beautiful new piece designed especially for the gallery reopening by renowned paperweight artist Paul Stankard.
Paul Stankard. Honey Bee Swarm with Flowers and Fruit, 2012. Gift of the artist.
1 day 20 hours ago The Art Institute of Chicago NOW OPEN—Abstract Experiments: Latin American Art on Paper after 1950
During the mid-20th century, Latin American artists were active in the evolving international discourse on modernity, at a time of industrial expansion and political transformation in South America.
Abstract Experiments provides an illuminating complement to Hélio Oiticica: To Organize Delirium and reflects the Art Institute’s recent efforts to expand its holdings of Latin American painting, sculpture, and works on paper.
2 days 14 hours ago The Art Institute of Chicago NOW OPEN—Hélio Oiticica: To Organize Delirium
The Art Institute presents the first U.S. retrospective of this groundbreaking Brazilian artist. A relentless innovator always pushing the boundaries of art, Oiticica is arguably the most influential Latin American artist of the post–World War II period and is recognized for inspiring Tropicália, a powerful movement that influenced art across media in Brazil.
In addition to viewing his early works on paper, visitors are invited to take off their shoes and walk through immersive sand-filled installations, view Amazonian parrots, and try on wearable objects designed by the artist.
2 days 16 hours ago The Art Institute of Chicago Whitney will be taking over our Instagram for the next 24 hours. Follow along to see posts from Max and Julien’s visit to the museum.