The Elizabeth Morse Touch Gallery has a new home in the Modern Wing. Visitors to the Art Institute of Chicago once again have the opportunity to experience how the sense of touch can enrich their appreciation of art. The Touch Gallery is located near the Ryan Learning Center, just inside the Millennium Park entrance to the Modern Wing.
Specifically designed for visually impaired visitors to the museum but available to all, the Touch Gallery exhibits four sculptures from different time periods and places of origin accompanied by text panels and labels presented in both large type and Braille. Labels were written with the assistance of a consultant, who is blind, from the Catholic Guild for the Blind (www.guildfortheblind.org) who explored the works of art while staff recorded his observations. Labels provide historical information and focus on a detailed description of the work of art to guide the visitor in touching.
Made of bronze and marble and representing different periods, the sculptures in the gallery all represent the human face. Through touch visitors can discover the facial expression, accessories, and style of dress as well as discern an artwork's form, scale, temperature, and texture in ways that sight cannot provide.
The sculptures in this gallery have been carefully treated with a protective wax so that visitors may touch them. Normally, visitors are not permitted to touch paintings and sculptures in museums to protect artworks from damage. Hands that appear clean might have small amounts of corrosive salts, oils, moisture, and microscopic dirt particles on them. If transferred to works of art, these compounds will build up over time and can ultimately ruin the objects. Therefore, please do not touch objects located elsewhere in the museum. With your cooperation, we can preserve the Art Institute's treasures for future generations.
Visitors should remove rings, bracelets, wrist watches, and cuff links before enjoying the Touch Gallery.
The Touch Gallery has been funded by the Elizabeth Morse Charitable Trust.
2 hours 47 min ago The Art Institute of Chicago COMING SOON—Hélio Oiticica: To Organize Delirium
Explore the relentlessly innovative works of Brazilian artist Hélio Oiticica, arguably the most influential Latin American artist of the post–World War II period.
Oiticica’s adventurous works on paper paved the way for increasingly immersive large-scale installations that inspired Tropicália, a powerful movement in all the arts and a political position against both the right’s conservatism and the left’s desire for a purely Brazilian art. Throughout his brief but energetic career, Oiticica seamlessly melded formal and social concerns in his art, seeking to be internationally relevant and, at the same time, specifically Brazilian.
Opening February 18—http://bit.ly/2kevQIM
1 day 1 hour ago The Art Institute of Chicago “Every new painting is like throwing myself into the water without knowing how to swim.”
Happy birthday to accomplished swimmer Édouard Manet.
See ten works by Manet now on view—http://bit.ly/2jpR5X2
1 day 3 hours ago The Art Institute of Chicago THURSDAY at 6:00—Join us for a lecture with photographer and
MacArthur fellow LaToya Ruby Frazier as she discusses her work—personal, incisive explorations of issues surrounding race, representation, and social justice in places such as Flint, Michigan and her hometown of Braddock, Pennsylvania.
Free to IL residents—http://bit.ly/2jRrhpV