This innovative collaboration between the Department of Ancient and Byzantine Art and the Department of Prints and Drawings examines Renaissance and Baroque printmakers’ direct responses to Classical antiquity through the figure of Dionysos, the ancient Greek god of wine and theater. Installed in the Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, this exhibition juxtaposes ancient sculpture with prints from the 15th through the 18th century with nearly 100 objects—pieces from the permanent collection, new loans of ancient art, and recently acquired works on paper.
Dionysos—known as Bacchus to the Romans—cavorted with an entourage of satyrs, the god Pan, and frenzied maenads, female followers of the god. All these devotees represented the untamed and hedonistic desires of humanity, which were unleashed by the intoxicating elixir of wine. Because performance was a part of the early Greek festivals of Dionysos, he also became known as the patron god of theater, an aspect of the deity that is less well known today. In ancient art, Dionysos could take many forms, from a graceful youth to a bearded mature man. During the Renaissance and Baroque periods, the time of early printmaking, interest in antiquity—especially Dionysos—flourished. Ancient sculptures depicting the god and his raucous retinue inspired artists to find new ways to transform age-old Dionysian subjects into prints and drawings that would appeal to their own contemporary audiences.
Anchoring the exhibition are Greek and Roman sculptures depicting Dionysos and his wild followers along with vessels used in ritual drinking parties and festivals honoring the god of wine and theater. Their printed counterparts are masterpieces from the Italian Renaissance to the French Rococo, including notably Andrea Mantegna’s Bacchanal with a Wine Vat, a 15th-century Italian engraving with striking visual similarity to the bronze Statue of Young Dionysos (a current long-term loan to the museum). Bringing together this rich selection of works, separated by as many as 1,500 years, this exhibition offers new, enticing insights into the art of Classical antiquity and its later revivals.
Sponsors Support for this exhibition is generously provided by Shawn M. Donnelley and Christopher M. Kelly and the Jaharis Family Foundation, Inc.
3 days 6 hours ago The Art Institute of Chicago OPENING TOMORROW—Jacques-Louis David’s "Napoleon"
French painter Jacques-Louis David created the quintessential image of Napoleon in 1812 and this rare loan provides occasion to highlight related works in the Art Institute's own collection as well as an interactive digital reconstruction of the artist's sketchbook
4 days 3 hours ago The Art Institute of Chicago #TBT 1924: An old favorite—The Art Institute included German Shepherds as part of our crackerjack security team from the 1920s until the 1940s. Here we see guard dogs Billo and Bella posing with their handler, along with a few paintings by Pierre-Auguste Renoir.