The three slide projections in this presentation, shown together in 1975 but rarely seen since, mark a point of intersection between land art and body art—two areas pioneered by sculptor and media artist Dennis Oppenheim (American, 1938–2011). In these intimate and personal works, the artist used performances for the camera to explore the theme of mourning and to model an intergenerational transfer of psychic or creative energies. Shot from a helicopter, 2000' Shadow Projection (1972), shows the artist alone in a field, standing in the stark beam of a far-reaching searchlight; he repeatedly plays a one-note dirge on a trumpet, an act of memorial to his father, who had died the same year. In Ground Gel #2 (1972), also photographed from above, he whirls his young daughter, Chandra, round and round, their figures appearing to merge with each other as well as with the ground as the slides progress. Whispering, “I want to go there...” as he whirls his daughter around, Oppenheim propels an exchange of action and energy that seems to exceed the material boundaries of his own bodily form. Grandfather and granddaughter meet symbolically in the third work, Polarities (1972). Using red magnesium flares, Oppenheim created two “landscape drawings,” together stretching more than 1,000 feet, by plotting enlarged versions of a doodle drawn by his father the night before he died and one of Chandra’s first artworks.
Slides give a perfect metaphor for themes of separation and interdependence, causing images to shift and dissolve like the bodies they symbolize or depict. “My work,” Oppenheim described in 1973, “lies on the attempt to remove the frontier between an action directed from within the bounds of my life and the one I try to direct, at the same time, beyond those bounds.”
The exhibition is presented jointly by the Department of Photography and the Department of Modern and Contemporary Art. A selection of related lithographs by Dennis Oppenheim, recent gifts of Irving Stenn, Jr., is on view nearby in Gallery 189.
Dennis Oppenheim. Still from Ground Gel #2, 1972. Promised gift of Amy Plumb Oppenheim in honor of Dennis Oppenheim.
1 hour 55 min ago The Art Institute of Chicago #TBT This 1908 postcard shows the Art Institute as it looked the last time the Chicago Cubs won the #WorldSeries. 108 years later the city has #CubsFever all over again. #NeverStopBelieving #FlyTheW
3 hours 25 min ago The Art Institute of Chicago TOMORROW at 6:30—British journalist and design critic Alice Rawsthorn joins us to discuss her latest book, Hello World, chronicling her many years of research and reporting on the state of design past, present, and future. Free with registration.
5 hours 53 min ago The Art Institute of Chicago “History is something that continuously creeps into the present.”
South African artist Kemang Wa Lehulere describes his work as a “protest against forgetting.” See his first American museum show, In All My Wildest Dreams, now on view in the Modern Wing.