Mary Louise Reynolds (1891–1950) was one of the central figures of the Surrealist movement. As a young American war widow, Reynolds moved to Paris in 1919, where she lived for the rest of her life, except during 1943–44, the last two years of the Nazi occupation.In Paris she met the circle of artists and writers who formed the Surrealist movement, becoming a lifelong friend and benefactor to many of them.Reynolds met Marcel Duchamp (1887–1968) in July 1923 and began what he called “a true liaison, over many, many years, and very agreeable.”
In the 1920s, Reynolds studied in the atelier of Parisian master bookbinder Pierre Legrain (1888–1929).She applied her skills to the books given to her by such friends as Man Ray, Paul Éluard, Max Ernst, André Breton, Jean Cocteau, and Salvador Dalí. She chose materials that were visually and intellectually surprising: corset stays, broken teacup handles, thermometers, sponge rubber, reptile skins, and kid gloves.Duchamp described her bindings as being “marked by a decidedly surrealist approach and an unpredictable fantasy.”
After Reynolds’s death, her brother Frank B. Hubachek, a trustee of the Art Institute of Chicago, decided to keep her collection of nearly 300 books, exhibition catalogues, periodicals, pamphlets, and other ephemera together as a memorial and donated it to the museum in 1954. At the heart of the Mary Reynolds Collection, housed within the Ryerson and Burnham Libraries, are 74 volumes bound by Reynolds.This exhibition showcases a selection of these visionary and uniquely surreal artworks.
18 hours 58 min ago The Art Institute of Chicago “One day, I had a dream… there were three black boots in the middle of the road, with very high houses."
These are the words of Tarsila do Amaral, one of the leaders behind Anthropophagy, a national art movement that arose in 1920s Brazil with the goal of “cannibalizing” aspects of European modern art in order to make a new, more distinctly indigenous style. #5WomenArtists
Explore Tarsila’s work in depth when Tarsila do Amaral: Reinventing Modern Art in Brazil opens at the Art Institute this October.
Image: Tarsila do Amaral. City (The Street), 1929. Collection of Bolsa de Arte.
20 hours 58 min ago The Art Institute of Chicago NOW ON VIEW—Who Builds Your Architecture?
Whether majestic skyscrapers, eye-catching museums, or sprawling residential complexes, buildings emerge from intricate, lengthy processes of design and construction that involve a host of different actors. The New York–based group Who Builds Your Architecture? (WBYA?), who gives the show its name, presents research related to migrant workers and the global construction industry.
1 day 16 hours ago The Art Institute of Chicago Saints & Heroes brings the spiritual, domestic, and chivalric worlds of the Middle Ages and Renaissance to life in the 21st century.