Mary Louise Reynolds (1891–1950) was one of the central figures of the Surrealist movement. As a young American war widow, Reynolds moved to Paris in 1919, where she lived for the rest of her life, except during 1943–44, the last two years of the Nazi occupation.In Paris she met the circle of artists and writers who formed the Surrealist movement, becoming a lifelong friend and benefactor to many of them.Reynolds met Marcel Duchamp (1887–1968) in July 1923 and began what he called “a true liaison, over many, many years, and very agreeable.”
In the 1920s, Reynolds studied in the atelier of Parisian master bookbinder Pierre Legrain (1888–1929).She applied her skills to the books given to her by such friends as Man Ray, Paul Éluard, Max Ernst, André Breton, Jean Cocteau, and Salvador Dalí. She chose materials that were visually and intellectually surprising: corset stays, broken teacup handles, thermometers, sponge rubber, reptile skins, and kid gloves.Duchamp described her bindings as being “marked by a decidedly surrealist approach and an unpredictable fantasy.”
After Reynolds’s death, her brother Frank B. Hubachek, a trustee of the Art Institute of Chicago, decided to keep her collection of nearly 300 books, exhibition catalogues, periodicals, pamphlets, and other ephemera together as a memorial and donated it to the museum in 1954. At the heart of the Mary Reynolds Collection, housed within the Ryerson and Burnham Libraries, are 74 volumes bound by Reynolds.This exhibition showcases a selection of these visionary and uniquely surreal artworks.
20 hours 30 min ago The Art Institute of Chicago "Be a good craftsman; it won't stop you being a genius.”
Advice from Pierre-Auguste Renoir, on his birthday.
See 13 paintings by the great French Impressionist—now on view: http://bit.ly/2lj3AVq
1 day 14 hours ago The Art Institute of Chicago NOW OPEN—Go
Speed is both a product of modern life and an agent of it. At the turn of the 20th century, new technologies of mobility and transmission—trains, cars, airplanes, radio, film, television, to name only a few—increased the pace of life, collapsing distances between people and places and assaulting the senses.
Go, the second exhibition in the Art Institute’s Modern Series, explores how artists responded to different ways of experiencing and seeing the world in the accelerated modern age—through paintings, sculpture, works on paper, photographs, designed objects, textiles, books, and films.
1 day 18 hours ago The Art Institute of Chicago Happy birthday to Winslow Homer. In 1883 the artist moved to a small coastal village in Maine, where he created a series of paintings of the sea unparalleled in American art. The paintings he created after 1882 focused almost exclusively on humankind’s age-old contest with nature.
In The Herring Net, Homer depicted the heroic efforts of fishermen at their daily work. While one fisherman hauls in the netted and glistening herring, the other unloads the catch. Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.
See five paintings by Winslow Homer in Gallery 171 of American Art—http://bit.ly/2l89rfx