Please note: this exhibition contains mature content.
The first installment of the biennial Ruttenberg Contemporary Photography Series features the work of New York–based photographer Deana Lawson. For nearly a decade, Lawson has been investigating the visual expression of global black culture and how individuals claim their identities within it. Through their look and presence, the subjects of Lawson’s posed photographs channel broader ideas about personal and social histories, sexuality, status, and spiritual beliefs.
Lawson began her work in and around her Brooklyn neighborhood but has recently branched out nationally and internationally to places such as Louisiana, Haiti, Jamaica, Ethiopia, and the Democratic Republic of the Congo. While her themes have remained consistent, her landscapes have shifted and broadened—the global scope of the pictures, in her words, “concern and affirm the sacred black body” and speak to a collective psychic memory of shared experiences.
Lawson begins her process by researching the communities she chooses for their cultural histories. Once on site, strangers she meets through chance encounters become her subjects, often following lengthy conversations and repeated visits. In recent years she has turned to a documentary style and has begun presenting found imagery as well, both moves that complicate how identity is projected and understood. While Lawson’s images have a strong sense of the present, they also engage in a dialogue with various cultural histories and carry implications for the future of black culture.
Sponsors The Ruttenberg Contemporary Photography Series is generously supported by the David C. and Sarajean Ruttenberg Arts Foundation.
3 days 10 hours ago The Art Institute of Chicago OPENING TOMORROW—Jacques-Louis David’s "Napoleon"
French painter Jacques-Louis David created the quintessential image of Napoleon in 1812 and this rare loan provides occasion to highlight related works in the Art Institute's own collection as well as an interactive digital reconstruction of the artist's sketchbook
4 days 7 hours ago The Art Institute of Chicago #TBT 1924: An old favorite—The Art Institute included German Shepherds as part of our crackerjack security team from the 1920s until the 1940s. Here we see guard dogs Billo and Bella posing with their handler, along with a few paintings by Pierre-Auguste Renoir.