Please note: this exhibition contains mature content.
The first installment of the biennial Ruttenberg Contemporary Photography Series features the work of New York–based photographer Deana Lawson. For nearly a decade, Lawson has been investigating the visual expression of global black culture and how individuals claim their identities within it. Through their look and presence, the subjects of Lawson’s posed photographs channel broader ideas about personal and social histories, sexuality, status, and spiritual beliefs.
Lawson began her work in and around her Brooklyn neighborhood but has recently branched out nationally and internationally to places such as Louisiana, Haiti, Jamaica, Ethiopia, and the Democratic Republic of the Congo. While her themes have remained consistent, her landscapes have shifted and broadened—the global scope of the pictures, in her words, “concern and affirm the sacred black body” and speak to a collective psychic memory of shared experiences.
Lawson begins her process by researching the communities she chooses for their cultural histories. Once on site, strangers she meets through chance encounters become her subjects, often following lengthy conversations and repeated visits. In recent years she has turned to a documentary style and has begun presenting found imagery as well, both moves that complicate how identity is projected and understood. While Lawson’s images have a strong sense of the present, they also engage in a dialogue with various cultural histories and carry implications for the future of black culture.
Sponsors The Ruttenberg Contemporary Photography Series is generously supported by the David C. and Sarajean Ruttenberg Arts Foundation.
19 hours 6 min ago The Art Institute of Chicago This bronze by Daniel Chester French is a reduced version of the full-size statue in the Lincoln Memorial in Washington, D.C., which French worked on with the architect Henry Bacon. The Lincoln Memorial has remained a cherished destination at the National Mall since its dedication in 1922.
Find French's historic depiction of Lincoln in our galleries of American art.
2 days 21 hours ago The Art Institute of Chicago NOW OPEN—Abstract Experiments: Latin American Art on Paper after 1950
During the mid-20th century, Latin American artists were active in the evolving international discourse on modernity, at a time of industrial expansion and political transformation in South America.
Abstract Experiments provides an illuminating complement to Hélio Oiticica: To Organize Delirium and reflects the Art Institute’s recent efforts to expand its holdings of Latin American painting, sculpture, and works on paper.
3 days 15 hours ago The Art Institute of Chicago NOW OPEN—Hélio Oiticica: To Organize Delirium
The Art Institute presents the first U.S. retrospective of this groundbreaking Brazilian artist. A relentless innovator always pushing the boundaries of art, Oiticica is arguably the most influential Latin American artist of the post–World War II period and is recognized for inspiring Tropicália, a powerful movement that influenced art across media in Brazil.
In addition to viewing his early works on paper, visitors are invited to take off their shoes and walk through immersive sand-filled installations, view Amazonian parrots, and try on wearable objects designed by the artist.